Apollo and Hyacinthus

Black ink, Pencil, Coloured wash, Pencil, Pencil ground on laid paper. Ca. 1812

José de Madrazo y Agudo

Apollo and Cupid

Pencil, Indian ink, Pencil on laid paper. 1812 - 1813

José de Madrazo y Agudo

Nude Figure Study

Pencil, Charcoal on laid paper. 1888

Pedro Beroqui Martínez

Queen Isabella Farnese

Wash, White lead, Pencil on paper. XIX century

Valentín Carderera y Solano – (Attributed to)

Silhouette of José de Madrazo

Black ink on laid paper. First third of the XIX century

Anonymous

One can't look

Wash, Charcoal, Drypoint, Etching on laid paper. 1810 - 1814

Francisco de Goya y Lucientes – Engraver

Calcografía Nacional – Printer

Real Academia de Bellas Artes de San Fernando

Why?

Wash, Burnisher, Etching, Burin on laid paper. 1810 - 1814

Francisco de Goya y Lucientes – Engraver

Calcografía Nacional – Printer

Real Academia de Bellas Artes de San Fernando

Appeals are in vain

Wash, Burin, Etching, Burnisher on wove paper. 1812 - 1814

Francisco de Goya y Lucientes – Engraver

Laureano Potenciano Pastor

Real Academia de Bellas Artes de San Fernando

The Risen Christ

Wash, Gilded on vellum. Ca. 1550

Giulio Clovio

This is worse

Wash, Drypoint, Etching on laid paper. 1810 - 1814

Francisco de Goya y Lucientes – Engraver

Calcografía Nacional – Printer

Real Academia de Bellas Artes de San Fernando

Appeals are in vain

Wash, Burin, Etching, Burnisher on laid paper. 1812 - 1814

Francisco de Goya y Lucientes – Engraver

Calcografía Nacional – Printer

Real Academia de Bellas Artes de San Fernando

The woman give courage

Wash, Burnisher, Etching, Burin, Drypoint on laid paper. 1810 - 1814

Francisco de Goya y Lucientes – Engraver

Calcografía Nacional – Printer

Real Academia de Bellas Artes de San Fernando