Feldkirch (Austria), 1664 - Milan (Italy), 1736
See author's fileThe girl’s rags, which signal her poverty, contrast with the cheerfully elegant way she handles the thread. This novel representation of a woman performing a domestic task anticipates the delicacy with which this subject was treated by painters like Chardin, and which later changed in the early nineteenth century into a more realist form of depiction, as in Goya’s Allegory of Industry.
Posada Kubissa, Teresa, Últimas adquisiciones: 1982-1995, Museo del Prado, Madrid, 1995, pp. 70-71.
Museo Nacional del Prado, Museo del Prado: inventario general de pinturas. Nuevas Adquisiciones. Museo Iconográfico. Tapices, III, Museo del Prado, Espasa Calpe, Madrid, 1996.
Piazza, Filipo, 'Pietro Bellotti e la pittura di genere in Lombardia tra XVII e XVIII secolo', Pietro Bellotti e la pittura del Seicento a Venezia: stupore, realtà, enigma, Officina libraria, Roma, 2025, pp. 57-73 [fg.11].
Ton, Denis, 'Giacomo Francesco Cipper. La filatrice', Il teatro del quotidiano: Giacomo Francesco Cipper "Tedesco" (1664-1736), Castello del Buonconsiglio. Monumenti e collezioni provinciale, Sripta edizioni..., Trento, 2025, pp. 258 VI.2.
Inv. Nuevas Adquisiciones (iniciado en 1856).
Núm. 2230.
Autor: Cipper, Giacomo Francesco, 'Il Todeschini' / 2230. Título: La Hilandera / Tipo de obra: Pintura / Medidas: 0,740 x 0,595 m. / Técnica/soporte: Óleo sobre lienzo / Nº de catálogo: P07474 / Observaciones: Adquirido por el Estado por derecho de tanteo a Edmund Peel y Asociados, subastra de 31-X-1989, lote 16, en 3.403.200 pts. O.M. 30-XI-1989. Ingresado en el museo el 20-XII-1989.
Giacomo Francesco Cipper, also known as il Tedeschini. Chronicle and comedy between Austria and Italy in the 18th century
Trento
14.04.2025 - 14.09.2025
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