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Christ at the Column
Tiepolo, Giovanni Domenico
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Tiepolo, Giovanni Domenico

Venice (Italy), 1727 - Venice (Italy), 1804

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Christ at the Column

1772. Oil on canvas. Not on display

The painting is one of a series of eight scenes from Christ’s Passion painted by Giovanni Domenico (Giandomenico) Tiepolo as part of a commission from the fathers of the convent of San Felipe Neri de Madrid. The artist made all eight works in Venice. They were presented publicly at the Venetian Piazza San Marco on 31 August 1772, a practice that occurred on specific occasions when works were to leave the city. Nothing is known of the conditions stipulated in the contract extended by the secular clergymen of San Felipe Neri in Madrid, if there was a contract at all. Therefore, no documents demonstrating the possible limitations imposed on the works’ format, total numbers of scenes, size and so on have been identified. However, it does seem possible that limitations existed that decisively affected the artist’s work. This can be deduced from the very low viewpoints and the anatomical deformation of certain figures, which Giandomenico may have employed deliberately to correct optical distortions resulting from the painting being hung at a great height.

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Related artworks

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Oil on canvas, 1772
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The Descent from the Cross
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The Burial of Christ
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Inventory number
P000356
Author
Tiepolo, Giovanni Domenico
Title
Christ at the Column
Date
1772
Technique
Oil
Support
Canvas
Dimension
Height: 124 cm.; Width: 144 cm.
Series
Serie de la Pasión de Cristo para San Felipe Neri (Madrid)
Provenance
Convent of San Felipe Neri, de oratorianos filipenses, antigua Casa Profesa de San Francisco de Borja, de jesuitas, Madrid; Museo de la Trinidad.

Bibliography +

Cruzada Villaamil, Gregorio, Catálogo provisional, historial y razonado del Museo Nacional de Pinturas, Madrid, 1865, pp. 265.

Mariuz, Adriano, Giandomenico Tiepolo, Alfieri, Venecia, 1965, pp. 233.

Salas, Xavier de, Museo del Prado. Catálogo de las pinturas, Museo del Prado, Madrid, 1972.

Knox, George, Giambattista and Domenico Tiepolo. Vol. I. Text, Clarendon Press, Oxford, 1980, pp. 305.

Museo Nacional del Prado, Museo del Prado. Catálogo de las pinturas, Museo del Prado, Madrid, 1985, pp. 682-683.

Anatra, Bruno, Venezia e la Spagna, Electa, Milan, 1988, pp. 245/lám. 264.

Museo Nacional del Prado, Museo del Prado. Inventario general de pinturas, Museo de la Trinidad, Museo del Prado, Espasa Calpe, Madrid, 1991.

Luna, Juan José, Pintura europea del siglo XVIII: guía, Museo del Prado, Madrid, 1997, pp. 145-148.

Museo Nacional del Prado, El Museo de la Trinidad en el Prado, El Museo de la Trinidad en el Prado, Museo Nacional del Prado, Madrid, 2004, pp. 135 / 23.

Pagliano, Eric, Préparer / Ne pas préparer. Lorenzo Tiepolo La Flagelation du Christ. En:, L'atelier de l'oeuvre. Dessins italiens du Musée Fabre, Snoeck Éditions, 2013, pp. 94-97..

Giandomenico Tiepolo y sus retratos de fantasía: el artista en la Corte, Banca March, 2014, pp. 55.

Other inventories +

Inv. Museo de la Trinidad, Pintura. Núm. 93.
93. Cristo, atado a la columna azotado por los judios. / Tamaño igual a los anteriores / autor Tiepolo (sin firmar)</br>R.do alto 1,24; ancho 1,44. / Id.id.id. / Nº 88 / S.E.

Catálogo Museo de la Trinidad, 1865. Núm. 93.
ESCUELAS ITALIANA. / DOMINGO TIEPOLO. [...] 93. Jesucristo atado a la columna. / Lienzo.- Al. 1,235.- An. 1,45. - Fig. 1,10. / Tiepolo. / En el centro Nuestro Señor Jesucristo atado a la columna y azotado por tres sayones; en el fondo y a la derecha soldados con alabardas.

Catálogo Museo del Prado, 1873-1907. Núm. 2127.
2127.-(93-J.)-Cristo á la columna, maltratado y escarnecido por tres judíos, presenciándolo el pueblo desde la parte inferior de una escalinata.-Compañero del anterior. / Véase la nota al núm. 2126. / Alto 1,24; ancho 1,44.-L.

Exhibitions +

De Raphaël à Tiepolo. L´atelier de l´oeuvre, dessins italiens du Musée Fabre
Montpellier
16.02.2013 - 12.05.2013

Museo de la Trinidad
Madrid
19.07.2004 - 03.10.2004

Update date: 23-05-2020 | Registry created on 28-04-2015

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