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02-06-2026
Nicolás Megía Márquez

Fuente de Cantos, Badajoz (Spain), 1845 - Madrid (Spain), 1917

See author's file

Defence of the Convent of Santa Engracia in Zaragoza, 1809

1890. Oil on canvas.
On display elsewhere

The defence of the Convent of Santa Engracia (Zaragoza) took place during the second siege (21-12-1808/21-2-1809) of the city by Marshal Jean Lannes (1769–1809) in the Peninsula War (1808–1814).

The painting was awarded the 2nd medal in the 1890 National Exhibition of Fine Arts (No. 608). In the catalogue of the exhibition, it was described as follows based on an extract from the General History of Spain by Modesto Lafuente: ‘Lannes had to forbid his officers to advance in the open, and to prevent further bloodshed, he ordered them to use only the mattox and the same for blowing up buildings. Let us hear how this distinguished marshal expressed himself in his dispatch of the 28th (January 1809) to the emperor: Sir, I have never seen a fierceness equal to that shown by our enemies in the defence of this square. I have seen the women allowing themselves to be killed before the breach, every house requires a new assault. He said this after having sent a member of parliament, who brought in response, that they were ready to defend every last wall. After having fought deadly and useless battles to take the convents of Saint Augustine and Santa Mónica, after having disputed the position of an outpost of houses adjoining Santa Engracia, not only house by house, but floor by floor and room by room’.

Technical data

Imagen del carrusel
Imagen del carrusel
Inventory number
P005516
Author
Nicolás Megía Márquez
Title
Defence of the Convent of Santa Engracia in Zaragoza, 1809
Date
1890
Technique
Oil
Support
Canvas
Dimension
Height: 350 cm; Width: 500 cm
Provenance
Acquired from the artist, 1898; Museo de Arte Moderno, 1898-1971
Entry date
1971

Bibliography +

Catálogo de la Exposición Nacional de Bellas Artes de 1890, Madrid, 1890, pp. 124-125, nº608.

Balart, F., La Exposición de Bellas Artes. II, La Ilustración Española y Americana, 15 de mayo, XXXIV, 1890, pp. 299.

Picón, J.O., Exposición Nacional de Bellas Artes, El Imparcial,, 8242, 1890 1 de agosto.

Acuerdos tomados por la Real Academia : en el mes de febrero de 1895, Boletín de la Real Academia de Bellas Artes de San Fernando, XV, 1895, pp. 35.

Pantorba, Bernardino de, Historia y crítica de las Exposiciones Nacionales de Bellas Artes, Jesús Ramón García Rama, Madrid, 1980, pp. 135.

Cóndor Orduña, María, La pintura del Historia del siglo XIX en España, 1982.

Gutiérrez Burón, J, La fortuna de la Guerra de la Independencia en la pintura del siglo XIX, Cuadernos de arte e iconografía, II, 1989.

El "Prado disperso". Cuadros depositados en La Orotava (Tenerife). Ayuntamiento, Boletín del Museo del Prado, 13, 1992, pp. 99.

Palá,F. Rincón, W., "Los Sitios de Zaragoza en la tarjeta postal", Los Sitios de Zaragoza en la tarjeta postal Ilustrada, 2004, pp. 179.

Nicolás Megía Márquez, (1845-1917), Diputación Provincial de Badajoz, 2011, pp. 91-92,151-152, 159-162.

Díez, José Luis (dir.), Pintura del Siglo XIX en el Museo del Prado: catálogo general, Museo Nacional del Prado, Madrid, 2015, pp. 405.

Other inventories +

Inv. General del Museo de Arte Moderno, 1899-1902. Núm. 491.

Catálogo Museo de Arte Moderno, 1900. Núm. 451.
SECCIÓN DE PINTURA EN SUS DIVERSAS CLASES, DIBUJOS Y GRABADOS EN LÁMINAS. / Megía (D. Nicolás) [...] 451.- Defensa de Zaragoza 1809. (En depósito.) / Alto 3'50 metros. Ancho 5'00 metros.

Registros-Inventarios Museo Nacional de Arte Moderno, 1900-1936. Núm. 60-M y 80-M.

Inscriptions +

N. MEGIA. / Madrid 1890
Signed and dated. Front, lower left corner

Location +

Santa Cruz de Tenerife - Museo Municipal de Bellas Artes de Santa Cruz de Tenerife (Deposit)

Update date: 02-06-2026 | Registry created on 29-01-2016

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