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Doctor Francisco Rodríguez de Sandoval
Sorolla y Bastida, Joaquín
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Sorolla y Bastida, Joaquín

Valencia (Spain), 1863 - Cercedilla, Madrid (Spain), 1923

Sorolla y Bastida, Joaquín See author's file

Doctor Francisco Rodríguez de Sandoval

1906. Oil on canvas. Not on display

The doctor poses in an armchair, crossing his legs and turning to look forward with a lively expression concentrated in his intelligent gaze. He looks about forty years old and wears a gray suit with a vest and gloves of the same color. His brightly lit figure stands out against a neutral gray background that darkens considerably at his back and appears to reflect the light from a gilded frame.

Doctor Francisco Rodríguez de Sandoval was one of the closest friends of this painter, who had a special relationship with doctors throughout his life. As a young man, Sandoval had been an assistant to another of Sorolla’s friends -the eminent Valencian psychologist, Luis Simarro (1851-1921-) at the El Rosario Sanatorium on the outskirts of Madrid. A free thinker, he was a member of the Institución Libre de Enseñanza along with one of his classmates, the famous scientist Nicolás Achúcarro (1880-1918). He collaborated with Sorolla’s family physician, Dr. Medinaveitia, and was friends with writer Juan Ramón Jiménez (1881-1958), as well as a sincere friend of Sorolla himself. Sandoval accompanied this Valencian artist on some of his travels around Spain during those years, and he replaced Medinaveitia as his family doctor in 1919, attending Sorolla during the paralysis that undermined his health in his final years.

This portrait of Doctor Rodríguez de Sandoval from the Museo del Prado was painted at a particularly fecund moment in Sorolla’s activity as a portrait painter, when he painted some of his most outstanding likenesses, also in a markedly quadrangular format. This is also the period when Sorolla most sincerely interiorized the Spanish tradition of portraiture through Velázquez, and here, he applies those lessons with a radically modern mastery by resolving the image with various ranges and shades of a single color to compose a symphony of grays of extraordinary pictorial elegance.

The confident lines with which Sorolla defines the figure, his abridged and economic technique -he rubs a rinsed brush across the surface of the canvas to suggest different textures and planes of light- and the astonishing mastery with which he situates the figure in space by intensely darkening the left half of the wall behind him, make this portrait unquestionably one of the finest he painted in those years (Text drawn from Díez, J. L.: El siglo XIX en el Prado, Museo Nacional del Prado, 2007, pp. 372-374).


Technical data

Inventory number
Sorolla y Bastida, Joaquín
Doctor Francisco Rodríguez de Sandoval
Height: 104.5 cm; Width: 104.5 cm
Bequest of Francisco Rodríguez de Sandoval for the Museo de Arte Moderno, 1929.

Bibliography +

De la Puente, Joaquín, Casón del Buen Retiro. Catálogo de las pinturas del siglo XIX, Ministerio de Cultura, Madrid, 1985, pp. 248.

Ivars, José-Francisco, Un Siglo de Pintura Valenciana. 1880-1980, Generalitat Valenciana, Valencia, 1994.

Diez, J.L; Barón, J., El siglo XIX en el Prado, Museo Nacional del Prado, Madrid, 2007, pp. 372/ lám.91.

Joaquín Sorolla, 1863-1923, Museo Nacional del Prado, 2009, pp. 190.

Díez, J.L. (dir.), Pintura del Siglo XIX en el Museo del Prado. Catálogo general, Museo Nacional del Prado, Madrid, 2015, pp. 553.

Other inventories +

Inv. Museo Arte Moderno, 1954. Núm. 567.

Registro del Museo de Arte Moderno, 1954. Núm. 101-S.

Actas traslado de obras MEAC - Prado, 1971-1973. Núm. 973.

Inscriptions +

A mi querido amigo Dr. Sandoval / J. Sorolla 1906
Signed and dated. Front, lower left corner

Exhibitions +

El Siglo XIX en el Prado
31.10.2007 - 20.04.2008

Un siglo de pintura valenciana: 1880-1890. Intuiciones y propuestas
20.05.1994 - 10.07.1994

Update date: 05-01-2022 | Registry created on 28-04-2015

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