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Egg-shaped agate vessel with cameos on the foot, stem and finial
Kobenhaupt, Hans
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Kobenhaupt, Hans

Stuttgart, 1609, 1623

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Egg-shaped agate vessel with cameos on the foot, stem and finial

1600 - 1630. Agate, Chalcedony, Cowry, Enamel, Gold, Silver gilt. Room 079B

Vessel made up of two pieces of chalcedony and an enamelled gold mount. The body is formed by a deep hemispherical base and a smaller lid of the same shape surmounted by a delicate pyramidal openwork structure of pointed leaves, pavilions, fruits and rows of beads. Inserted in this are three cameos and numerous children’s heads with enamel wings. The stem, also openwork, displays three large cameos and six children’s heads. It rests on a fairly high round foot with a central cameo and seven others around it. A lost mount with four gold figurines of mermaids points to works by Hans Kobenhaupt, an artist who worked in Stuttgart, although the general style, followed internationally, is also similar to that of the Paris school, since all the mounting on the vessel is of gold enamelled in pastel tones with a few touches of yellow and white.

According to the 1746 inventory of La Granja de San Ildefonso, it had thirty cameos and twenty-nine children’s heads in agate. The area where the bowl joins the lid seems to have suffered major damage, since its mount is missing. Lost in about 1815, it was described in the Versailles inventory of 1689 as consisting of enamelled figures with feathers on their heads who held “a kind of openwork campanile”, a reference to the cover. The state of the work in the 19th century can be seen through the photography of Juan Laurent y Minier, "Vase agate sardoine, montures d’or avec émaux et pierreries, XVIe siècle, règne de Henri II", c. 1879, Museo del Prado, HF0835/9.

Arbeteta points out that the plumed headdress worn by the figurines on the lost mount evokes other pieces in the Dauphin’s Treasure, such as the Cup with a gold mermaid, O1, and O6. It may be a reference to fidelity, represented with a ring and the motto “Semper” (“always”) on an emblem by Paul Jove. There may also be a symbolic meaning in the openwork motif of the base, which forms a star of David, found also on the lid of a vessel in Florence (Inventario Gemme 1921, no. 540) that was perhaps inspired by a design by Pellegrini of 1530.

According to Angulo, most of the cameos are Milanese, and some are of excellent quality. On the foot alone, there is one of Leda reclining with the swan, after a model by Michelangelo; Cybele with her chariot drawn by lions and a figure of fame or genius with a trumpet; an altar with a child in front of it bearing a branch, and a satyr behind; a Silenus figure; two others standing on a dolphin’s back; Europa and the bull; a nymph on a sea horse; and, in the largest central cameo, Cupid. Also worthy of note is the infantile figure of the sleeping Eros or Thanatos on the skull.

The mounts form the profile of the vessel, and their decoration is rather different from the rest. It is outstanding for its excellent and minute workmanship, as well as a softer and more luminous colouring than the other pieces. It is similar to a cup in the Louvre, MR 239, where light blues predominate. The delicate execution and the evidence of the four missing mermaids on the central mount, doubtless very small, recall the minutely detailed work of Hans Kobenhaupt or his Stuttgart workshop, active in the first third of the 17th century, although the present mounts are related to the Parisian circle of Pierre Delabarre (L. Arbeteta, in press).

Technical data

Inventory number
Kobenhaupt, Hans
Egg-shaped agate vessel with cameos on the foot, stem and finial
1600 - 1630
Chased; Enamelled; Carved; Mounted / set
Agate; Chalcedony; Cowry; Enamel; Gold; Silver gilt
Height: 27.8 cm.; Diameter: 9.2 cm.; Weight: 408 g.; Diameter of the base: 6.5 cm.
Tesoro del Delfín
Royal Collection

Bibliography +

Angulo Íñiguez, Diego, Catálogo de las Alhajas del Delfín, Museo del Prado, Madrid, 1989 (ed.rev), pp. 9,70-71.

Arbeteta Mira, Letizia, El tesoro del Delfín: alhajas de Felipe V recibidas por herencia de su padre Luis, Gran Delfín de Francia, Museo Nacional del Prado, Madrid, 2001, pp. 233-235.

Arbeteta, L. Azcue, L., El Tesoro del Delfín, Museo Nacional del Prado, Madrid, 2018.

Other inventories +

Agates, cristaux, procelaines, bronzes, et autres curiositez qui sont dans le Cabinet de Monseigneur le Dauphin a Versailles. Núm. 42 A.
Numº. 42 / Prix contant Pistoles 150. / Un grand Vase rond d'Agate d'Orient couvert sur son pied á balustre orné de trois grands camayeux scavoir; deux d'Agate blanche et l'autre noire; au dessus dudit balustre il y a trois petits camayeux d'Agate blanche, le bas du pied de vermeil doré á jour, emaillé de blanc et verd et orné tout autour de sept camayeux d'Agate representant plusieurs figures: Le couvercle dudit Vase aussi d'Agate d'Orient garni au bord d'un cercle de douze camayeux d'Agate blanche et quatre autres grands camayeux noirs représentant des Mores, au dessus dudit cercle il y a quatre termes d'or emaillé de blanc, bleu et verd avec des plumes d'email sur leurs testes qui portent une maniere de clocher á jour qui est au haut dudit couvercle enrichi de [...] / Valeur 200

Inv. Felipe V, La Granja, Tesoro del Delfín, 1746. Núm. 72.
Una Pieza Ovalada de Piedra Agata con pie, remate, y guarnicion compuesta de cinquetna, y nuebe Piezas grandes, y Chicas parte Camapheos y parte Cavecitas como de Niños con una concavidad en el remate en que falta una; todo ello engastado de oro Esmaltado, con quatro Figuritas de lo mismo. tiene una Tercia de alto, y Caja como la antecte. [de tafilete encarnado].

Inv. Gabinete Historia Natural, 1776. Núm. 24.
Otro vaso de piedra Agata que forma una especie de huebo de abestruz, con una solera de lata donde unen las piezas, compuesto pie, y vasa a la union y remate en forma de Piramide, y quatro vichas, esmaltado todo de oro blanco, verde y azul, unas frutas, cintas y cornucopias con engastes, y en ellos treinta Camafeos con veinte y nuebe cavezitas, pues le falta una en el remate; regulado el oro en cinco onzas, poco mas o menos, y seis ochavas de plata: vale con el dorado de plata la piedra de dho vaso con su caja 8.666...22.

Listado de objetos robados del Real Gabinete de Historia Natural en 1813 y devueltos en 1816. Núm. 24.
Otro vaso de piedra agata que forma una especie de huevo de Avestruz con una solista de plata donde unen las piezas; conpuesto pie y vasa a la union y remate en forma de piramide y quatro vichas; es maltratado todo de oro, blanco, verde y azul; unas frutas, cintas y cornucopias con engastes; y en ellos treinta camafeos, con veinte y nueve cavecitas, pues le falta una en el remate; vale con el dorado de plata, la piedra de dicho vaso con su caja ... 8.666...22 [El vaso está roto; existen dos camafeos, y no se vé donde puede ser el sitio de los otros diez y ocho de que hace mención la descripcion. De las veinte y nueve cavecitas faltan quatro.]

Inv. Real Museo, 1857. Núm. 24.
Alhajas y efectos preciosos que se hallaban colocados en el Gabinete de Historia natural y trasladados al Real Museo de Pintura y Escultura de S. M., en virtud de Rl. orden de 11 de Mayo de 1839 [...] 24. Otro vaso de piedra Ágata que forma una especie de huevo de Avestruz con una Solista de plata donde unen las piezas, compuesto pie y base a la union y remate en forma de piramide y cuatro vichas esmaltado todo de oro, blanco, verde y azul, unas cintas y cornicopias con engastes y en ellostreinta Camafeos con veinte y nueve cabecitas, pues le falta una en el remate, regulado el oro en cinco onzas poco mas o menos, y seis ochavos de plata.

Inscriptions +

24. Papel antiguo
Scrap of paper. On underside


There are no temporary exhibitions related to this work

Location +

Room 079B (On Display)

Update date: 28-08-2021 | Registry created on 26-11-2015

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