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18-02-2026

Gian Galeazzo Sforza, the sixth Duke of Milan

First half of the XVII century. Oil on canvas.
On display elsewhere

This painting was part of a series of portraits of the Dukes of Milan from the Visconti and Sforza families, intended for an antechamber of the Buen Retiro Palace. This perpetuated the memory of their military victories, serving to legitimise King Philip IV, who also held the duchy.

Three paintings from this series are preserved in the Prado Museum (P000574, P003568). With a clear propaganda message, the portrait shows Sforza in three-quarter profile, pensively, revealing his symbols of power: his armour, medal, baton of command and the hilt of his sword, which seems to fade into the lower right-hand corner. The armour stands out against the neutral background thanks to an optical effect created by the shine that gives it shape and curvature, elements common to the entire series.

According to Elías Tormo, these canvases are most likely 17th-century works, copies of an earlier series of portraits of those who preceded the kings of Spain in the Duchy of Milan.

Technical data

Imagen del carrusel
Imagen del carrusel

Related artworks

Galeazzo Maria Sforza, the fifth Duke of Milan
Oil on canvas, First half of the XVII century
Anonymous
Gian Galeazzo Visconti, the first duke of Milan
Oil on canvas, First half of the XVII century
Anonymous
Inventory number
P003376
Author
Anonymous
Title
Gian Galeazzo Sforza, the sixth Duke of Milan
Date
First half of the XVII century
Technique
Oil
Support
Canvas
Dimension
Width: 101.3 cm; Height: 124.4 cm
Series
Retratos de los duques de Milán
Provenance
Royal Collection Palacio del Buen Retiro, Madrid, 1701; Buen Retiro, 1794, nº 511).

Bibliography +

Mary Ady, Cecilia, A History of Milan Under the Sforza, Methuen & Company, Londres, 1907, pp. 115-154.

Tormo y Monzó, Elías, Las viejas series icónicas de los reyes de España, Madrid, 1916, pp. 143-146.

Espinós, Adela; Orihuela, Mercedes y Royo Villanova, Mercedes, "El Prado disperso". Cuadros depositados en Madrid. VIII. Museo del Ejército, Boletín del Museo del Prado, III, 1982, pp. 123.

Barghahn, Barbara Von, Philip IV and the Golden House of the Buen Retiro in the Tradition of Caesar, Garland PublishingInc., Nueva York, 1986, pp. 665/lám.660.

Orso, Steven N., Philip IV and the decoration of the Alcazar of Madrid, Princeton University Press, Princenton, 1986, pp. 132/ lám.64.

Museo Nacional del Prado, Museo del Prado: inventario general de pinturas, I, Museo del Prado Espasa Calpe, Madrid, 1990, pp. 624.

Other inventories +

Inv. Testamentaría Carlos II, Buen Retiro, 1701-1703. Núm. [7918 Sánchez Can.].
Otra Pintura del mismo tamaño [de vara y media de alto y vara y quarta de ancho] y marco, retrato de Juan Galeazo Esforcia, sexto duque de Milan-tasado en cinco doblones.

Inv. Testamentaría Carlos III, Buen Retiro, 1794. Núm. 511.
Otra [pintura]: retrato de medio cuerpo de Juan Galiazo Esforcia, sesto Duque de Milan, de vara y mª. de alto, y vara y quarta de ancho, marco dorado...100

Museo Real de Pinturas a la muerte de Fernando VII, 1834. Núm. 511.
DEPÓSITO ALTO [...] Quinientos once. Retrato id. [medio cuerpo] de Juan Galiazo Esforcia Sexto Duque de Milán / / Lº / 8

Inv. Real Museo, 1857. Núm. 2376.
Escuela francesa / 2376. Id. id. igual al anterior. / Alto 4 pies, 6 pulg; ancho 3 pies, 8 pulg.

Inscriptions +

2376.
Inscribed in orange. Front, lower left corner

IO. GALEATIVS. MAR. SFOR. VI. MEDIOL. DVX
Front, upper area

Location +

Toledo - Museo del Ejército (Deposit)

Update date: 18-02-2026 | Registry created on 12-09-2025

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