The itinerary <em>TITULORECORRIDO</em> has been successfully created. Now you can add in works from the Collection browser
<em>TITULOOBRA</em> added to <em>TITULORECORRIDO</em> itinerary

Manuela de Errazu
Madrazo y Garreta, Raimundo de
Close Continuar a ficha de la obra

Madrazo y Garreta, Raimundo de

Rome (Italy), 1841 - Versailles (France), 1920

Madrazo y Garreta, Raimundo de See author's file

Manuela de Errazu

1870 - 1871. Oil on canvas.
Not on display

The eldest of six children born to Joaquín María de Errazu and Guadalupe Rubio de Tejada, Manuela was born in Querétaro (Mexico) in 1839. Her family, of Spanish origin, amassed a huge fortune through the industrial development of that Central-American country. When she was fifteen years old, her parents moved to the most exclusive neighborhood in Paris. There, despite some criticism -the Goncourt brothers cruelly and baselessly alluded to the color of Guadalupe’s skin to reinforce their disdain for the Errazu family as an example of social climbers in the court of Napolon III- the family moved with complete naturalness in Europe’s wealthiest circles and adopted their refined customs. Manuela became a client of famous photographer André-Adolpe-Eugène Disderi, and regularly participated in the select fêtes of high society, including the one held at the Tuilleries Gardens during the Carnival of 1863, where she took the lead in a celebrated quadrille des abeilles alongside the princesses, Troubetzkoy and Dolgorouki, accompanied by young men disguised as peasants from Watteau’s paintings. A consequence of her considerable visibility in Second-Empire Paris’s high society is Manuelita, a suite of waltzes for piano by Émile Waldteufel (1837-1915) dedicated to Mademoiselle Emmanuelle de Errazu. Manuela married banker José Domingo Irureta Goyena, an art lover and good friend of famous painter Mariano Fortuny. This brought the Errazu family into the Catalan artist’s circle and into the world of art collecting. Manuela Errazu’s brother, Ramón, became close friends with Fortuny’s brother-in-law and follower, Raimundo de Madrazo, who became the family’s portrait painter. In fact, the portrait of Ramón Errazu (P2614) is one of the finest works of all Raimundo’s career, followed by portraits of Ramón’s siblings, including María Concepción Errazu (private collection), and of Manuela’s husband, which is an exquisite small-format bust (Seville, Museo de Bellas Artes), as well as likenesses of other lovers or friends of Ramón, such as the Marchioness d’Hervey Saint-Denis (Paris, Musée d’Orsay) and the Marchioness of Manzanedo (P2603), a spectacular panel dating from 1875 whose typology is reproduced on a smaller scale in the present portrait of Manuela, which was painted soon thereafter on canvas. The model poses on foot with her hands crossed in an expression of unpretentious timidity. Her silhouette stands out against a continuous bright green background that emphasizes her elegant blue and pink evening gown with flounces and lace. She wears large pearl earrings, which also appear in her portrait by Wssel de Guimbarda (Seville, Museo de Bellas Artes), and carries a fan. The figure is rendered with a prodigious and somewhat affected technique, in a tight and extremely realist manner reminiscent of Fortuny. This contrasts with the loose, paint-laden brushstrokes visible on the curtains and carpet in the background. This exceptional canvas is painted in the fashion of French portraits from the Second-Empire, when Fortuny’s style was most in vogue. Its adaptation of a model drawn from official portraiture is particularly striking, as such works are normally life sized, while the present one is far smaller. Both the figure’s placement in space and the rendering of the surrounding atmosphere are, however, drawn from the Spanish tradition that the painter had the advantage of learning at the Museo del Prado, where his father was director. That, along with this artist’s extraordinary capacity to enhance the model’s limited physical gifts make this small work one of the most representative of Madrazo’s style (Text drawn from G. Navarro, C.: El retrato español en el Prado. De Goya a Sorolla. Museo Nacional del Prado, 2007, p. 156).

Technical data

Inventory number
Madrazo y Garreta, Raimundo de
Manuela de Errazu
1870 - 1871
Height: 113 cm; Width: 62 cm
Legacy of Joaquín Irureta-Goyena y Errazu, 1953

Bibliography +

Sánchez Cantón, F.J, Las adquisiciones del Museo del Prado en los años 1952-1953, Archivo Español de Arte / Archivo Español de Arte y Arqueología, 27, 1954, pp. 13/ lám.14.

Salas, Xavier de, Museo del Prado. Catálogo de las pinturas, Museo del Prado, Madrid, 1972.

Museo Nacional del Prado, Catálogo de las pinturas del siglo XIX, Ministerio de Cultura, Madrid, 1985, pp. 159.

Díez, José Luis, Da Goya a Picasso. La Pittura Spagnola Dell'Ottocento, Mazzotta, Milan, 1991, pp. 159-160,175.

Museo Nacional del Prado, Pintura española del siglo XIX: del neoclasicismo al modernismo : obras maestras del Museo del Prado y colecciones españolas, Ministerio de Cultura, Dirección General de Cooperación Cultural, Madrid, 1992, pp. 162.

Museo Nacional del Prado, Museo del Prado. Inventario general de pinturas (III). Nuevas Adquisiciones. Museo Iconográfico. Tapices., Museo del Prado, Espasa Calpe, Madrid, 1996, pp. nº1798.

Barón, Javier, ''Luis de Errazu, coleccionista y mecenas'', en: In sapientia libertas : escritos en homenaje al profesor Alfonso E. Pérez Sánchez, Museo Nacional del Prado. Fundación Focus-Abengoa, Madrid, 2007, pp. 717-729.

G. Navarro, C., Manuela de Errazu (h. 1875). En: Barón, J.: El retrato español en el Prado. De Goya a Sorolla, Museo Nacional del Prado, Madrid, 2007, pp. 156, n. 51.

Díez, J.L. (dir.), Pintura del Siglo XIX en el Museo del Prado. Catálogo general, Museo Nacional del Prado, Madrid, 2015, pp. 358.

Other inventories +

Catálogo Museo del Prado, 1985. Núm. 2982.

Inv. Nuevas Adquisiciones (iniciado en 1856). Núm. 1798.
Autor, Raimundo de Madrazo. / 1798. Asunto, Retrato de Doña Manuela de Errazu / Lienzo 113 X 62 cms. / Nº del catálogo, 2982. / Legado de D. Joaquín de Iruretagoyena y Errazu en 9 de junio de 1953

Inscriptions +

R. Madrazo
Signed. Front, upper left corner

Frame, front, lower bar

Exhibitions +

El retrato español en el Prado. De Goya a Sorolla
La Coruña
11.06.2008 - 07.09.2008

El retrato español en el Prado. De Goya a Sorolla
12.03.2008 - 25.05.2008

El retrato español en el Prado. De Goya a Sorolla
18.12.2007 - 24.02.2008

El retrato español en el Prado. De Goya a Sorolla
03.10.2007 - 02.12.2007

El retrato español en el Prado. De Goya a Sorolla
12.06.2007 - 02.09.2007

El retrato español en el Prado. De Goya a Sorolla
05.03.2007 - 20.05.2007

Pintura española del siglo XIX. Del neoclasicismo al modernismo
03.04.1992 - 17.05.1992

Pintura española del Siglo XIX: de Goya a Picasso
18.10.1991 - 08.01.1992

Displayed objects +


Clothing / Dress

Update date: 23-12-2022 | Registry created on 28-04-2015

Other works by Madrazo y Garreta, Raimundo de

Print on demand

Print artworks available in our catalogue in high quality and your preferred size and finish.

Image archive

Request artworks available in our catalogue in digital format.