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20-05-2026

Mercury, variant on "Hermes Andros-Farnese"

150 - 200. Marble.
Not on display

The ancient ephebe torso was completed in the modern era with a head that recalls portraits of Antinous, the missing limbs and a command baton, which was added as an attribute because the robe folded over his left arm was interpreted as a general´s paludamentum. he sculpture was identified as a statue of Caesar. The robe draped over the left shoulder was not originally held by the right hand. It hangs down the back to the hips and is wrapped over the left forearm, as the restorer correctly noticed. Researcher Gerhild Hübner though the torso belonged to a statue of Mercury. The model, a famous statue of Hermes of the Andros-Farnese type created in the late 4th century B.C.E. is more slender in the Prado´s version, and it presents the god as a svelte adolescent, with no pubic hair and some modified details. With a slightly inclined head, the god is represented as a conductor of souls and he originally held the miraculous caduceus entwined with serpents in his left hand. He rested his right hand on his hip, about where the Prado´s statue has a large plaster patch. It is therefore likely that his right hand originally touched that point. portrait statues of this type, or quite similar to it, began to be made in the late Hellenistic period, and it is not currently possible to determine whether this torso in Madrid was originally a portrait, or whether it bore a head of Mercury. The work´s characteristics suggest it dates from the Antonine or the early Severan period (Text from Schröder, S. F.: Catálogo de la escultura clásica, Museo Nacional del Prado, 2004, pp. 437-440).

Schröder, Stephan F, Catálogo de la escultura clásica: Museo del Prado II, Madrid, Museo Nacional del Prado, 2004, p.437-440

Technical data

Related artworks

Inventory number
E000500
Author
Anonymous
Title
Mercury, variant on "Hermes Andros-Farnese"
Date
150 - 200
Technique
Sculpted
Medium
Marble
Dimension
Height: 125 cm; Weight: 131 Kg; Depth: 39 cm; Width: 50 cm
Series
Colección Cristina de Suecia
Provenance
Collection of Queen Christina of Sweden, Rome; Collection of Livio Odescalchi, Duke of Bracciano, Rome; Royal Collection (Felipe V's Collection, Royal Palace of La Granja de San Ildefonso, Segovia)

Bibliography +

Hübner, Emil, Die Antiken Bildwerke in Madrid, Druck Und Verlag Von Georg Reimer, Berlín, 1862, pp. 45.

Ricard, Robert, Marbres Antiques du Musée du Prado à Madrid, Féret & Fils, Burdeos, 1923, pp. nº34.

Rizzo, G. E, Prassitele, Treves, Roma, 1932, pp. 75 s., lám. 112.

Richter, Gisela Marie Augusta, Three critical periods in Greek sculpture, Clarendon Press, Oxford, 1951, pp. 54, fig. 111.

Blanco Freijeiro, Antonio, Catálogo de la escultura. Museo del Prado, Museo Nacional del Prado, Madrid, 1957, pp. nº500-E.

Boehringer, E., Greifswald. Greifswalder Antiken / editado por A. Hundt y K. Peters, W. de Gruyter, Berlin, 1961, pp. 117 ss., láms. 66-68.

Steuben, H. v, Helbig: Führer durch die öffentlichen Sammlungen klassischer Altertümer in Rom, IV, Ernst Wasmuth, Tübingen, 1963-1972, pp. n.º 246.

Karusu, Semni, Der Hermes von Andros und seine gefährtin, Mitteilungen des Deutschen Archäologischen Instituts, Athenische Abteilung, 84, 1969, pp. 143-157 [143 ss].

Blanco, Antonio; Lorente, Manuel, Catálogo de la escultura. Museo del Prado (2ª ed.), Patronato Nacional de Museos, Madrid, 1981, pp. nº500.

Maderna, Caterina, Iuppiter, Diomedes und Merkur als Vorbilder für römische Bildnisstatuen. Untersuchungen zum römischen statuarischen Idealporträt, Verlag Archäologie unf Geschichte, Heidelberg, 1988, pp. 84 ss., 94, lám. 32, 2-3.

Fernandez Miranda y Lozana, Fernando, Inventarios Reales Carlos III 1789-1790, II, Patrimonio Nacional, Madrid, 1988, pp. 298.

Haskell, Francis, El gusto y el arte de la antigüedad: el atractivo de la escultura, Alianza Editorial, Madrid, 1990, pp. 160 ss., n.º 5, fig. 74.

Simon, E, Lexicon Iconographicum Mythologiae Classicae, VI, 1992, pp. 504 s., n.º 8, lám. 273, s. v. Mercurius.

Walker, Stefanie, The sculpture Gallery of Prince Livio Odescalchi, Journal of the history of collections, VI, 1994, pp. 211, n.º 124.

Andreae, Bernard, Bildkatalog der Skulpturen des Vatikanischen Museums, De Gruyer, Berlin, 1998, pp. n.º 53, 23, láms. 22-31.

Elvira Barba, Miguel Ángel, El Cuaderno de Ajello y las esculturas del Museo del Prado, Museo del Prado, Madrid, 1998, pp. 176 s., lám. 56.

Schröder, Stephan F, Catálogo de la escultura clásica: Museo del Prado II, Museo Nacional del Prado, Madrid, 2004, pp. 437-440.

Corona y arqueología en el Siglo de las Luces, Patrimonio Nacional, 2010, pp. 85-93.

Other inventories +

Inv. Testamentaría Carlos III, La Granja, 1794. Núm. s. n..
Escultura / S.n Yldefonso [...] Pieza sesta [...] {2821} Un Penates solo el Torso, antiguo, restaurada la Cabeza, y algunas otras piezas del cuerpo: en ... 6000

Inv. Real Museo, 1857. Núm. 794.
794. Una estatua de un joven de mar- / mol de Carrara muy estropeada. / Este numero y los ocho anteriores / están colocados en la escalera, pa- / sillo y entrada que mira al Botanico. / Alto 4 pies, 10 pulg.

Inscriptions +

500
Inscribed in black. Plinth

Exhibitions +

El cuaderno de Ajello y las esculturas del Museo del Prado
Madrid
19.10.1998 - 03.01.1999

Update date: 20-05-2026 | Registry created on 28-04-2015

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