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07-06-2026

Portrait of a child

Late XVII century. Oil on canvas.
On display elsewhere

The wealthy clothing of the child and the setting in which he stands suggest the social status of this unknown and sad model. The costume and accessories allow us to date this painting to the last years of the 17th century, making it an interesting graphic record of the nobility during the unfortunate Charles II´s reign.

The painting depicts the delicate and fragile figure of an anonymous long-haired child with a melancholic look. The artist of this painting, which recalls the child portraits of the sovereign, must be an artist who knew well the formulas used by Carreño de Miranda. The existing similarity suggests that the artist must have been a quiet admirer of the master.

On this occasion, the representation of the table, the curtains or the cane is echoed in a symbolic language known to the seventeenth-century viewer. The names of Pedro Ruiz González, Sebastián Muñoz or Ignacio Ruiz de la Iglesia can be remembered among those who practiced portraiture in Madrid in the last years of the century, whose style, as court portraitists, has not yet been sufficiently clarified.

Technical data

Inventory number
P003859
Author
Anonymous
Title
Portrait of a child
Date
Late XVII century
Technique
Oil
Support
Canvas
Dimension
Height: 120 cm; Width: 85 cm
Provenance
Segovia, Monastery of Santa María del Parral, Order of Hieronymite monks; Museo de la Trinidad
Entry date
1872

Bibliography +

Espinós, A.; Orihuela, M. y Royo Villanova, M. [et al.], El "Prado disperso". Cuadros depositados en Barcelona. III, Cuenca y Segovia. Segovia. Alcázar, Boletín del Museo del Prado, VII, 1986, pp. 194.

Museo Nacional del Prado, Museo del Prado: inventario general de pinturas (II). Museo de la Trinidad, Museo del Prado, Espasa Calpe, Madrid, 1991, pp. 267.

Urrea, Jesús, La Pittura Madrilena del Secolo XVII, Edizioni Carte Segrete, Roma, 1991, pp. 154.

Pintores del Reinado de Carlos II, Museo del Prado, Madrid, 1996, pp. 68.

Rossi, Sergio, Scienza e Miracoli Nell'Arte del 600. Alle Origini Della Medicina Moderna., Electa, Milán, 1998, pp. 283, 328.

Gómez Nebreda, Maria Luisa, Pinturas de Segovia en el Museo del Prado: estudio de las pinturas de las instituciones eclesiásticas desamortizadas de Segovia que formaron parte del Museo de la Trinidad,, Obra Social y Cultural de Caja Segovia, 2001, pp. 59.

Other inventories +

Inv. Museo de la Trinidad, Pintura. Núm. 795.
795. / Retrato de un niño con la mano iz. apoyada en una mesa fig.s como de cinco cuartas y cuerpo entº / autor / Rectif.do alto 1,21 ancho 0,84. / Sin f.ar ni r.ar y sin marco y colg.do en id.id. / Nº 6 / E.I.

Inscriptions +

795 T
Scrap of paper. Front, lower right corner

Exhibitions +

Scienza e miracoli nell´arte del seicento. Alle origini della medicina moderna. (Ciencia y milagro en el arte del seiscientos)
Roma
18.03.1998 - 02.06.1998

Pintores del reinado de Carlos II
Toledo
11.04.1997 - 11.05.1997

Pintores del reinado de Carlos II
Sevilla
28.02.1997 - 06.04.1997

Pintores del reinado de Carlos II
Murcia
24.01.1997 - 23.02.1997

Pintores del reinado de Carlos II
Valencia
20.12.1996 - 19.01.1997

Pintores del reinado de Carlos II
Zaragoza
15.11.1996 - 15.12.1996

Pintores del reinado de Carlos II
Pamplona
11.10.1996 - 10.11.1996

Pintores del reinado de Carlos II
Vitoria
06.09.1996 - 06.10.1996

Pintores del reinado de Carlos II
Santander
17.05.1996 - 16.06.1996

Pintores del reinado de Carlos II
León
12.04.1996 - 12.05.1996

Pintores del reinado de Carlos II
Vigo
29.02.1996 - 31.03.1996

Pintura madrileña del Siglo XVII
Roma
10.12.1991 - 31.01.1992

Location +

Cuenca - Museo de Cuenca (Deposit)

Update date: 07-06-2026 | Registry created on 28-04-2015

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