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Saint Francis of Assisi in Ecstasy
Anonymous (Copy after: El Greco (Domenikos Theotokopoulos))
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Anonymous (Copy after: El Greco (Domenikos Theotokopoulos))

Saint Francis of Assisi in Ecstasy

XVII century. Oil on canvas.
On display elsewhere

We see the upper body of a figure, in profile, with his head raised to the sky. His arms and hands are stretched out in admiration and surprise. The saint is wearing a humble grey habit and a narrow hood covering his head. An intense light from the upper left corner illuminates the saint’s turned body, and his face appears excited at what we imagine is a heavenly vision. In contrast, the background surrounding the figure is painted in dark tones devoid of chromatic nuance.

The painting depicts the moment Saint Francis receives Christian stigmata as a result of the supernatural vision he experienced in September 1224 during his retreat at Mount La Verna in the Italian valley of Casentino. The Feast of the Cross was being commemorated while the Saint of Assisi was meditating on the Passion of Christ. A seraphic apparition provoked in Saint Francis the infliction of the wounds that Christ suffered during his crucifixion.

From this event, El Greco devised different compositions that vary in small details. Included among them is Saint Francis of Assisi in Ecstasy in the Abelló collection, made around 1589. This work is considered to be where other later variants would come from. All of these works were widely accepted by Toledo’s society at the time, which explains the abundance of variations, both from the master’s workshop as well as from followers and copyists. The Prado canvas is a copy of one of these variants and is specifically named ‘type III’ or ‘El Escorial type’ as an allusion to the composition from the late eighties found in the royal monastery of the same name. This version lacks a depiction of Christ crucified in the corner that emanates light because a contemporary viewer would have already understood it to have been a heavenly vision, as he or she was well aware of the significance of this type of composition disseminated by El Greco’s workshop and, as this canvas reveals, by other anonymous artists who generated such compositions until well into the 17th century. One of them, held at the Fundación Lázaro Galdiano (Madrid), represents the vision in the same way through a luminous arch.

Ruiz Gómez, Leticia, El Greco en el Museo Nacional del Prado: catálogo razonado, Madrid, Museo Nacional del Prado, 2007, p.242-244 n.41

Technical data

Inventory number
P000818
Author
Anonymous (Copy after: El Greco (Domenikos Theotokopoulos))
Title
Saint Francis of Assisi in Ecstasy
Date
XVII century
Technique
Oil
Support
Canvas
Dimension
Height: 110.5 cm; Width: 84 cm
Provenance
Museo de la Trinidad

Bibliography +

Cruzada Villaamil, Gregorio, Catálogo provisional, historial y razonado del Museo Nacional de Pinturas, Madrid, 1865, pp. 152 n.352.

Viniegra, Salvador, Catálogo ilustrado de la exposición de las obras de Domenico Theotocopuli llamado 'El Greco', J. Lacoste, Madrid, 1902, pp. 16 n.2124g.

Cossío, Manuel B.1857-1935, El Greco, Victoriano Suárez, Madrid, 1908, pp. 264.

Legendre, M. Hartmann, A, Domenico Theotocopouli dit el Greco, Hyperion, Paris, 1937, pp. 425.

Camón Aznar, José, Dominico Greco, II, Espasa-Calpe, Madrid, 1950, pp. 528-531 n.663.

Camón Aznar, José1898-1979, Dominico Greco, I y II, Espasa-Calpe, Madrid, 1950, pp. 528-531 n.663.

Soehner, Halldor, Greco in Spainien. Teil II. Atelier und Nachfolge Greco's; Teil III katalog der Gëmalde Grecos, seines ateliers und seiner Nachfolge in Spanischem besitz, Münchner jahrbuch der bildenden Kunst, IX-X, 1958-1959, pp. 147-242 [303].

Wethey, Harold, El Greco y su escuela, II, Guadarrama, Madrid, 1967, pp. 238 n.X-271.

Museo Nacional del Prado, Museo del Prado. Inventario general de pinturas (II). Museo de la Trinidad, Museo del Prado, Espasa Calpe, Madrid, 1991, pp. nº352.

Ruiz Gómez, Leticia, El Greco en el Museo Nacional del Prado: catálogo razonado, Museo Nacional del Prado, Madrid, 2007, pp. 242-244 n.41.

Hadjinicolaou, Nicos, El Greco y su taller, SEACEX, Madrid, 2007.

Other inventories +

Catálogo Museo de la Trinidad, 1865. Núm. 352.
ESCUELA TOLEDANA. / DOMINICO THEOTOCOPULI. (El Greco.) [...] 352. S. Francisco. / Lienzo. - Al. 1,11.- An. 0,81. - Fig. t. n. / Copia del Greco / S. Francisco con la capucha echada mirando al cielo.

Inv. Museo de la Trinidad, Pintura. Núm. 352.
352 / Sn Franco de Asis en señal de admiración / f.a de medio cuerpo y tamº nat.l / Autor Greco. / Rectifdo Alto 1,11 ancho 0,84 [Nota en margen derecho] Id, id, id [Nota en margen izquierdo] Nº 23 / S.S.

Catálogo Museo del Prado, 1972. Núm. 818.

Catálogo Museo del Prado, 1910. Núm. 818.

Catálogo Museo del Prado, 1933. Núm. 818.

Inscriptions +

T-352
Inscribed in white. Front, lower left corner

Exhibitions +

El Greco in the Prado
Madrid
04.12.2007 - 17.02.2008

El taller de El Greco
Atenas
15.10.2007 - 06.01.2008

Location +

Toledo - Museo de El Greco (Deposit)

Update date: 10-06-2022 | Registry created on 28-04-2015

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