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18-02-2026
Giulio Cesare Procaccini

Bologna, 1574 - Milan, 1625

See author's file

Samson and the Philistines

Before 1621. Oil on canvas.
Not on display

Samson freed himself from his chains and killed a thousand Philistines, enemies of the Israelites, using only the jawbone of an ass (Judges 15:15). Giulio Cesare was the son of the painter Ercole Procaccini and was first trained as a sculptor in Milan. This painting dates from his last period. The frame, which is modern, reproduces a Lombard seventeenth-century model.

Recently D’Albo (2018), on the basis of a testimony by Carlo Torre included in his book Il ritratto di Milano (1674), has linked this work to a commission by Cosimo II de’ Medici to Procaccini. Torre says: ‘ambizioso il Gran Duca di Firenze, d´havere da lui una tela per ornamento di sua Galeria, [Procaccini] fecegli un Sansone di tanta sua sodifatione, che gli invi inviò per donativo, non per mercede una Collana con Medaglia al valore di mille scudi’. Upon the death of the grand duke in 1621, the painting was recorded in the inventory of his estate as ‘Sansone con una mascilla in mano contro a Filistei di mano del Procaccino milanese’. The painting was then sold to Lorenzo de’ Medici, who gave it as a gift to the Count of Monterrey during his visit to Florence in June 1621. It would become part of the royal collection, to which it was later given by the aristocrat or his descendants.

Technical data

Imagen del carrusel
Imagen del carrusel
Inventory number
P003794
Author
Giulio Cesare Procaccini
Title
Samson and the Philistines
Date
Before 1621
Technique
Oil
Support
Canvas
Dimension
Height: 263 cm; Width: 263 cm
Provenance
Collection of Cosimo II de' Medici, until 1621; acquired by Lorenzo de' Medici; given by him to the Count of Monterrey, June 1621; Royal Collection (Palacio del Buen Retiro, Madrid, 1794, nº 343).

Bibliography +

Pérez Sánchez, Alfonso E., Pintura italiana del S. XVII en España, Universidad Fundación Valdecilla, Madrid, 1965, pp. 362.

Pérez Sánchez, Alfonso E., Pintura italiana del siglo XVII: exposición conmemorativa del ciento cincuenta aniversario de la Fundación del Museo del Prado, Ministerio de Educación y Ciencia, Madrid, 1970, pp. 442.

Museo Nacional del Prado, Museo del Prado: inventario general de pinturas (I) La Colección Real, Museo del Prado, Espasa Calpe, Madrid, 1990, pp. 175.

Pierguidi, Stefano, Il ratto di Elena di Guido Reni nel contesto dell' 'Salón Nuevo' dell'Alcázar di Madrid, Studi di Storia dell'Arte, 22, 2011, pp. 145-158 [147-148].

D'Albo, Odette, Giulio Cesare Procaccini 'per Fiorenza': la destinazione del 'San Carlo Borromeo e San Michele Arcangelo' di Dublino, Paragone Arte, 137, 2018, pp. 74-85.

Brigstocke, Hugh; D'Albo, Odette, Giulio Cesare Procaccini. Life and work, Allemandi, 2020, pp. nº 137.

Other inventories +

Inv. Testamentaría Carlos III, Buen Retiro, 1794. Núm. 343.
Otra [pintura], Escuela Lombarda, con Samon destruyendo á los Filisteos: de tres varas menos media quarta de ancho con marco dorado...3000

Museo Real de Pinturas a la muerte de Fernando VII, 1834. Núm. 343.
DEPÓSITO GRANDE / ESCUELA ITALIANA [...] Tres cientos cuarenta y tres. Una refriega de soldados con armaduras de hierro / Escuela Lombarda Camilo Cap.ni / Lº / 1.500

Catálogo Museo del Prado, 1854-1858. Núm. 611.

Inv. Real Museo, 1857. Núm. 611.
Procaccini (Giulio Cesare) / 611. Sanson destruyendo á los filisteos con la quijada del jumento. / Alto 8 pies, 8 pulg, 6 lin; Ancho 8 pies, 8 pulg, 6 lin.

Catálogo Museo del Prado, 1872-1907. Núm. 346.

Update date: 18-02-2026 | Registry created on 28-04-2015

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