Seven studies for a figure of the penitent Saint Jerome
Ca. 1600. Wash, Pencil, Grey-brown ink on paper.Not on display
Traditionally attributed to Palma il Giovane. This is a particularly elegant example of his drawing style, probably datable c. 1600.
Turner, Nicholas, From Michelangelo to Annibale Carracci. A century of Italian drawings from the Prado, Chicago, Art Services International, 2008, p.329