Located against a background landscape resembling those of Joachim Patinir (c. 1480-1524), Saint Jerome kneels in prayer before a crucifix and skull. In this case he is not depicted inside a cave or by its entrance. His red robe and hat identify him as a cardinal while the book refers to his role as a Father of the Church and the translator of the Bible into Latin. Behind him is the lion who accompanied him in the wilderness.
Perera, J. H., Museo Español del Maestro de las Medias Figuras, Goya, 49, 1962, pp. 2-11.
Koch, Robert A., Joachim Patinir, Princeton University Press, Princeton, 1968, pp. 56-65.
Díaz Padrón, Matías, Nuevas pinturas del Maestro de las Medias Figuras, Archivo Español de Arte, CCX, 1980, pp. 169-184.
Díaz Padrón, Matías, Pinturas flamencas del XVI: Tablas del Maestro de las Medias Figuras identificadas en España, Archivo Español de Arte, CCXIX, 1982, pp. 273-286.
Genaille, R., A propos du Maître dit des demi-figures féminines, Annuaire des Musées Royaux des Beaux-Arts de Belgique, 1985, pp. 137-176.
Genaille, R., A propós du Maître dit des demi-figures féminines, Jaarboek Koninklijk Museum voor Schonen Kunsten Antwerpen, 1985, pp. 137-176.
Martens, D., Une Cruxifixion flamande et sa descendence au XVIe siècle, Annuaire des Musées Royaux des Beaux-Arts de Belgique, 1990, pp. 237-270.
Konowitz, E, The Master of tha Femlae Half-Lrnghs group, eclecticism, and novelty, Oud Holland, 113, 1999, pp. 1-12.
Silva Maroto, Pilar, Anónimo. 'San Jerónimo penintente' En: Museo Nacional del Prado. Memoria de actividades 2013, Museo Nacional del Prado, Madrid, 2014, pp. 80-83.
Inv. Nuevas Adquisiciones (iniciado en 1856). Núm. 2863.
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Skull
Book
Crucifix
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