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02-06-2026
Bernard van Orley

Brussels (?), 1488 - Brussels, 1541

See author's file

The Virgin and Child with singing angels

1515 - 1520. Oil on panel.
On display elsewhere

The scene takes place under renaissance architecture in the form of a gallery or observatory open to a garden. Behind it lies a broad landscape with a river. Between 1515 and 1520, van Orley made several works on the same subject, but this one stands out for its background, as well as for the couple in the garden with their backs to the viewer. These are similar to what is depicted in Jan van Eyck´s Madonna of Chancellor Rolin, at the Louvre in Paris.

During the restoration of the painting in the winter of 2025-2026, it was observed that the figure of Saint John the Baptist appearing on the right side of the composition was a repainting carried out after the 18th century. This date is derived from the fact that it is similar in texture and technique to other repaintings seen elsewhere in the painting and that, in one of them, in the sky, Prussian blue has been detected, a pigment that began to be used in the 18th century. The figure of Saint John covered two singing angels and the hands of a third, holding a scroll with musical notation, all of which were in good condition. The restorer removed the repainting, exposing the original angels. The repainting may date from the unknown moment when the size of the scene was reduced on the right and left sides. The angels were partially cut off, and that must have been the reason for covering them by adding a new figure, more adapted to the new proportions of the composition. During the restoration, remains of red curtains were found in the corners of the work, which must also have been removed as they were mutilated after the reduction of the support (Information updated by Alejandro Vergara, February 2026).

Technical data

Imagen del carrusel
Imagen del carrusel

Related artworks

The Virgin and Child with the Infant Saint John the Baptist
Lithographic aquatint on wove paper, 1832 - 1837
Augusto Guglielmi - Lithographer - (The original work, according to inscriptions, attributed to - Not identified)
José de Madrazo y Agudo - Director
Bernard van Orley - Author of the original work
Real Establecimiento Litográfico de Madrid - Printer
The Virgin and Child with the Infant Saint John the Baptist
Crayon lithography on wove paper, 1832 - 1837
Augusto Guglielmi - Lithographer - (The original work, according to inscriptions, attributed to - Not identified)
José de Madrazo y Agudo - Director
Bernard van Orley - Author of the original work
Real Establecimiento Litográfico de Madrid - Printer
Mary with Child
Lithographic aquatint on wove paper, 1832 - 1837
Augusto Guglielmi - Lithographer - (The original work, according to inscriptions, attributed to - Not identified)
José de Madrazo y Agudo - Director
Bernard van Orley - Author of the original work
Real Establecimiento Litográfico de Madrid - Printer
Inventory number
P001932
Author
Bernard van Orley
Title
The Virgin and Child with singing angels
Date
1515 - 1520
Technique
Oil
Support
Panel
Dimension
Height: 98 cm; Width: 71 cm
Provenance
Royal Collection (Palacio de Aranjuez, Madrid, Pieza de Damas de la Reyna Nuestra Señora, 1827)
Entry date
1827

Bibliography +

Friedländer, Max J., Early netherlandish painting VIII: Jan Gossart and Bernart van Orley, A.W.Sijthoff, Praeger, Leyden, New York, 1972, pp. 109 nº132 lám.114.

Sánchez Cantón, Francisco Javier, Museo del Prado. Catálogo de las pinturas, Museo del Prado, Madrid, 1972.

Museo Nacional del Prado, Catálogo de las pinturas, Museo del Prado, Madrid, 1985, pp. 471.

Museo Nacional del Prado, Museo del Prado. Inventario general de pinturas (I) La Colección Real, Museo del Prado, Espasa Calpe, Madrid, 1990, pp. nº1062.

Silva Maroto, Pilar, Pintura flamenca de los siglos XV y XVI: guía, Museo del Prado, Aldeasa, Madrid, 2001, pp. 128.

Pérez Preciado, José Juan, "Restituir la paternidad de algunas tablas muy bellas". Sobre las atribuciones históricas de la pintura neerlandesa antigua en el Museo del Prado (1819-1912)., Boletín del Museo del Prado, XXXII, 2014, pp. 21.

Pérez Preciado, José Juan, "Antes morir que discutir". Sobre las atribuciones históricas de la pintura neerlandesa antigua en el Museo del Prado (1912-33), Boletín del Museo del Prado, XXXVII (55-57), 2019-2021, pp. 190-211 [209].

Other inventories +

Catálogo Museo del Prado, 1854-1858. Núm. 1062.

Inv. Real Museo, 1857. Núm. 1062.
Estilo de Lucas de Leyden / 1062. La Virgen, el Niño Dios y San Juan. / El Niño, en los brazos de su Santa Madre, juega con un rosario de coral, la Virgen le ase con la mano derecha, y en la izquierda tiene una pera que ofrece a San Juanito, el cual mira con timidez al Niño Dios por detrás de unas columnas. Fondo: país regado por un rio, con un puente y unas montañas. (C.L.) (Tabla.) /Alto 3 pies, 6 pulg; ancho 2 pies, 6 pulg, 4 lin.

Catálogo Museo del Prado, 1872-1907. Núm. 1866.

Catálogo Museo del Prado, 1910. Núm. 1932.

Catálogo Museo del Prado, 1942-1996. Núm. 1932.

Inscriptions +

* ALLELV[y]A / REGINA * CELI * / LETARE / *ALL[el]V[y]A / NOTABE / ALLELV[y]A * RE // *AVE * MARIA * GR[a]CIA * PLENA * / DOMINVS * TECVM / *BENED [imitando el bordado en la orla del manto de la Virgen]
Inscribed. Front, lower area

55
Inscribed with chalk. Back, upper left corner

1062
Inscribed in orange. Front, lower left corner

3202
Scraping. Frame, back, upper bar

AVE * GRATIA * PLENA * DOMINVS * TECVM [imitanto el bordado de las faldillas del baldaquino]
Inscribed. Front, upper area

ECCE AGNVS DEI. [en la filacteria sobre la cruz que sujeta san Juanito]
Inscribed in red color. Front, right side

76.
Inscribed with chalk. Back, central area

Exhibitions +

La botánica en el arte. Las plantas en las colecciones del Museo del Prado
Gerona
24.03.2026 - 23.08.2026

Location +

Gerona - CaixaForum Gerona (Temporary Exhibition)

Update date: 02-06-2026 | Registry created on 28-04-2015

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