Like its pair (P7905), this canvas was acquired as a work by Juan Fernández el Labrador (documented 1629-57), who specialised in painting grapes. However, the similarities between the pair in the Prado and a canvas in the Museo Cerralbo (Madrid) on which Prets signature was discovered in 2013 have led to a new attribution to that artist of Flemish origin, a member of Philip IV´s guard of archers and a still-life painter.