Virgin of Greatest Sorrow
1743. Taille douce: etching and engraving on laid paper.Not on display
Copies of the Virgin of Solitude were made in prints, the cheapest and most widely distributed medium, in which popular interpretations were produced alongside others of excellent quality. Prints likewise attest to the success the iconography enjoyed throughout Spain in the form of the many devotional images which reproduced the Virgin of Solitude in whole or in part, providing further proof of her efficacy as an intercessor. Examples from different chronological periods are that by Nicolás Carrasco (fl. 1720–49) of the Virgin of Greatest Sorrow in El Cerro de Andévalo in Huelva.
Arias Martínez, Manuel, Darse la mano. Escultura y color en el Siglo de Oro, Madrid, Museo Nacional del Prado, 2024, p.213-214