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02-06-2026
Joaquín Araujo y Ruano

Ciudad Real (Spain), 1851 - Madrid (Spain), 1894

Joaquín Araujo y Ruano See author's file

Where shall we go! (Bosnians)

1884. Oil on canvas.
On display elsewhere

The artist submitted four paintings of particular importance to the National Exhibition of 1884, as the success achieved by three of them would bring him recognition on the national and international art scene. Two of them were purchased by the Government: Where Are We Going! (Bosnians) and On the Move (Bosnians) (P007645). Both portray typical Bohemians who make their monkeys and bears dance through the streets and squares to the sound of music. The two paintings were conceived as a pair, the second expanding the plot of the first in which characters consider a destination for their next performance. In the second they are set out on their way to it. These two paintings were highly regarded by both the public and by peers, as evidenced by the numerous engraved reproductions of them published in the illustrated press, as well as the large number of copies made after their arrival at the Museo del Prado, which have sometimes mistakenly appeared on the market as originals. According to the Museum´s Copyists´ Books, both paintings were copied more than thirty times between 1884 and 1896 by several painters (including Víctor Esteban Lozano) and amateurs. This is a much higher figure than that recorded for copies of Carlist customs officers registering a stagecoach (P004829), the other painting by the La Mancha-born painter extant at the Museo del Prado.

Martínez Plaza, P.J., Joaquín Araujo Ruano (1851-1894) Nuevas aportaciones a su vida y obra. I Congreso Nacional Ciudad Real y su provincia, Instituto de Estudios Manchegos, CSIC, 2015, p.252-268 [256, nt.29]

Technical data

Imagen del carrusel
Imagen del carrusel
Inventory number
P006881
Author
Joaquín Araujo y Ruano
Title
Where shall we go! (Bosnians)
Date
1884
Technique
Oil
Support
Canvas
Dimension
Height: 67 cm; Width: 99 cm
Provenance
Purchased from the author, 1885; Museo de Arte Moderno, 1896–1971
Entry date
1971

Bibliography +

Museo Nacional del Prado, Museo del Prado: inventario general de pinturas. Nuevas Adquisiciones. Museo Iconográfico. Tapices, III, Museo del Prado, Espasa Calpe, Madrid, 1996.

Orihuela, Mercedes y Cenalmor, Elena, El "Prado disperso". Obras depositadas en Málaga. I. Museo de Málaga, Boletín del Museo del Prado, Museo del Prado, 2003, pp. 114.

Díez, José Luis (dir.), Pintura del Siglo XIX en el Museo del Prado. Catálogo general, Museo Nacional del Prado, Madrid, 2015, pp. 79.

Martínez Plaza, P.J., Joaquín Araujo Ruano (1851-1894) Nuevas aportaciones a su vida y obra, I Congreso Nacional Ciudad Real y su provincia, 2015, pp. 252-268 [256, nt.29].

Other inventories +

Inv. Nuevas Adquisiciones (iniciado en 1856). Núm. 682.
Autor - D Joaquin Araujo / 682. Un cuadro titulado ¡Donde iremos! / Adquirido en la cantidad de 2500 pesetas. / Alto 0,59 anº 0,90 / Adquirido en virtud de R.O. fecha junio 1885

Catálogo Museo de Arte Moderno, 1899. Núm. 25.
SECCIÓN DE PINTURA EN SUS DIVERSAS CLASES, DIBUJOS Y GRABADOS EN LAMINAS. / ARAUJO Y RUANO (D. Joaquín) [...] 25.- ¡Dónde iremos!. / Alto 0'59 metros. Ancho 0'90 metros.

Inv. General del Museo de Arte Moderno, 1899-1902. Núm. 107.

Catálogo Museo de Arte Moderno, 1900. Núm. 29.
SECCIÓN DE PINTURA EN SUS DIVERSAS CLASES, DIBUJOS Y GRABADOS EN LÁMINAS. / Araujo y Ruano (D. Joaquín) [...] 29.- ¡Dónde iremos! / Alto 0'59 metros. Ancho 0'90 metros.

Registros-Inventarios Museo Nacional de Arte Moderno, 1900-1936. Núm. 44-A y 70-A.

Inscriptions +

Araujo / 1884
Signed and dated. Front, lower right corner

700
Seal. Back

no 2228
Scrap of paper. Back

MAM 44(A)
Inscribed in red color. Front, lower right corner

T 682
Inscribed in blue. Front, lower left corner

Location +

Málaga - Museo de Málaga (Deposit)

Displayed objects +

Drum: Unimembranófono con cuerpo de madera en forma de cuenco, sobre el que apoya su cabeza el niño que duerme en el centro de la composición. El instrumento es de parche de piel sujeto con cuerda alrededor de la boca y tiras de piel que atraviesan el cuerpo para tensarlo. La piel parece estar cosida y tensada sobre un marco circular de madera. Es un instrumento común que aparece en bailes populares y en gran cantidad de folclore de la Europa mediterránea (Proyecto Iconografía Musical, U.C.M.).

Update date: 02-06-2026 | Registry created on 24-12-2015

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