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Ensuring the security of the works
Manuel Montero Eugenia, Head of the Art Handling Staff, 1986-What's onEnsuring the security of the works
Manuel Montero Eugenia, Head of the Art Handling Staff, 1986-What's on
The principal problem was having to tell visitors off and the fact that they didn’t like it. Some of them got annoyed because they didn’t agree when they were told they had got too close to a work. They felt that in no case was being close a risk. This results in what is essentially an emotional conflict as sometimes you have to establish the boundary between being tolerant with a person’s attitude and having to sort the issue out once and for all.
He works at the Museum as a gallery attendant, although he spends most of his professional career working for the Museum's Art Handling Staff.
Interview recorded on June 18, 2018
The public of the Prado Museum
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Ensuring the security of the works -
Tips -
Between the painting and the public. The job of a gallery assistant -
Service to tourists in the 1970s -
Working as a Hall Supervisor -
I Enjoyed My Job in the Halls -
An incident in the Casón del Buen Retiro -
The Museum must create the means of gaining access to the works of art -
An Incident in the halls -
Velázquez, with Pilar Miró and the King -
A stunning incident -
The Prado Today and Yesteryear -
The work of art. A piece of our history -
The Room of Las Meninas -
The 19th century: galleries that everyone understands
- Collective
- Art Handling
- RDF
- RDF
Theme
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Voces del Prado