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The leap into the unknown
Ana Gutiérrez Márquez, Senior Technician of Museums (Conservation of 19th Century Painting), 1975-2018The leap into the unknown
Ana Gutiérrez Márquez, Senior Technician of Museums (Conservation of 19th Century Painting), 1975-2018
I haven’t got much time left at the Museum. I’ve been here at the Casón for 45 years and I’m retiring in April. I’m not going to talk about the works, as there’s a whole series of works that are almost icons in my life, but about the people.
I had four children quite close together and I had to work during that whole period. I have to say that if it hadn’t been for the support of my colleagues and directors (and the help of the children’s grandmothers, of course) I wouldn’t have been able to carry out my work at the Museum or look after my family. But I also have to say that it was during that period that I appreciated the human richness to be found at the Museum. I say that sincerely, it’s not a pose and it’s not because I’m at the end of my working life; it’s true. I hope I’ll be able to keep in touch with them because they’re really people who’ve contributed a lot to my life and I don’t want to lose them.
I extended my time at the Museum by two years as I was committed to the “Fortuny” exhibition [2017] and had to produce various publications for it. I felt I had to fulfil that commitment but now I’ve done so I think the final phase has arrived.
Now I have a feeling which isn’t nostalgia. I’m more concerned about the leap into the unknown that I’m about to make, as up to now I’ve been very busy and I’ve never known what it is to have free time. And now I think I’m going to have a great deal of free time and so many options for filling it that in the end I may not do any of them, as it’s typical that when you have so many you don’t know which one to choose. I’m someone who likes handicraft a lot. So at some point I’ll probably take all that up again, which I’ve always really liked but I’ve never been able to fully devote myself to. But it’s true that I’m going to lose the day-to-day contact and that does make me a bit anxious.
She began working at the Library of the Department of 19th Century Painting, then becoming Conservator in 1987.
Interview recorded on February 21, 2018
The Museum leaves its mark
20 / 35-
Refining my taste and learning to evaluate art -
The Pleasures of the Museum -
Retiring at 70 -
The decision to leave the Museum -
Intensity -
The Prado. A turning point in one's life -
Jesús Aroca. Forever in the Museum -
The Prado has determined my life -
The legacy of great colleagues -
Who does the Prado belong to? -
A life at the Foundation -
The best place to be -
Retirement -
Eternity -
The Prado Museum in my life -
The Prado has given me many things -
A Rich Legacy Built by All -
A Marvellous Experience -
A way in the world -
The leap into the unknown -
My grandchildren should know what a watchman and a carpenter are -
Visiting the Museum, before and after -
A Reflection After 40 Years’ Service -
There Are Days When I Dream about the Museo del Prado -
The Museum Is My Second Home -
31 December 2009 -
The Hardest and Most Enriching Challenge -
Love for My Work -
There is life after the Prado -
The warmth of the employees -
The Tranquillity of a Mission Accomplished -
No harsh feelings but not the best ending -
What the Prado gives us -
I’ve Worked a Long Time at This Institution -
I Was There
- Collective
- Conservation
- Chronology
- 2010-2020
- RDF
- RDF
Conservation
José Luis Díez García
Head of the Department of Conservation of 19th Century Painting, 1988-2013
Manuela Mena Marqués
Head of the Department of Conservation of 18th Century Painting and Goya, 1978-2019
Pilar Silva Maroto
Head of the Department of Conservation of Flemish Painting and the Northern Schools up to 1700, 1997-2017