Loading...
The leap into the unknown
Ana Gutiérrez Márquez, Senior Technician of Museums (Conservation of 19th Century Painting), 1975-2018The leap into the unknown
Ana Gutiérrez Márquez, Senior Technician of Museums (Conservation of 19th Century Painting), 1975-2018
I haven’t got much time left at the Museum. I’ve been here at the Casón for 45 years and I’m retiring in April. I’m not going to talk about the works, as there’s a whole series of works that are almost icons in my life, but about the people.
I had four children quite close together and I had to work during that whole period. I have to say that if it hadn’t been for the support of my colleagues and directors (and the help of the children’s grandmothers, of course) I wouldn’t have been able to carry out my work at the Museum or look after my family. But I also have to say that it was during that period that I appreciated the human richness to be found at the Museum. I say that sincerely, it’s not a pose and it’s not because I’m at the end of my working life; it’s true. I hope I’ll be able to keep in touch with them because they’re really people who’ve contributed a lot to my life and I don’t want to lose them.
I extended my time at the Museum by two years as I was committed to the “Fortuny” exhibition [2017] and had to produce various publications for it. I felt I had to fulfil that commitment but now I’ve done so I think the final phase has arrived.
Now I have a feeling which isn’t nostalgia. I’m more concerned about the leap into the unknown that I’m about to make, as up to now I’ve been very busy and I’ve never known what it is to have free time. And now I think I’m going to have a great deal of free time and so many options for filling it that in the end I may not do any of them, as it’s typical that when you have so many you don’t know which one to choose. I’m someone who likes handicraft a lot. So at some point I’ll probably take all that up again, which I’ve always really liked but I’ve never been able to fully devote myself to. But it’s true that I’m going to lose the day-to-day contact and that does make me a bit anxious.
She began working at the Library of the Department of 19th Century Painting, then becoming Conservator in 1987.
Interview recorded on February 21, 2018
Interview index
14 / 14-
The Prado, a marvellous school -
A “homely little museum” -
The old library at the Casón -
“Are you capable of organising this?” -
Guernica. A boost for the Casón -
Holding Picasso’s drawings in my hands -
The 19th-century collection with Guernica. Looking at what you could -
1982. Photography and restoration at the Casón -
1992. The empty gallery -
Joaquín de la Puente -
José Luis Díez. A new era -
1997. The Casón closes -
The 19th century: galleries that everyone understands -
The leap into the unknown
- Included in themes
- The Museum leaves its mark
- Collective
- Conservation
- Chronology
- 2010-2020
- RDF
- RDF
Conservation
Juan Luna Fernández
Head of the Department of Conservation of 18th Century Painting, 1969-2016
José Luis Díez García
Head of the Department of Conservation of 19th Century Painting, 1988-2013
Pilar Silva Maroto
Head of the Department of Conservation of Flemish Painting and the Northern Schools up to 1700, 1997-2017