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The Adoration of the Shepherds. El Greco

The Adoration of the Shepherds is a painting by El Greco, a Greek painter who lived in Spain.

The painting is from 1614.

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What is the subject?

This painting shows a group of shepherds who adore the baby Jesus in the Nativity scene.

The baby Jesus is in the centre, and the light in the painting seems to come from the baby.

The baby seems to emit the light.

The light from the baby illuminates the Virgin Mary and Saint Joseph, who are next to the baby.

This light fills the scene and surprises the 3 shepherds.

There is an ox between the shepherds and the baby Jesus.

The ox looks at the baby.

It seems that the ox also wants to adore the baby.

Above, a group of angels look down from heaven on the scene.

El Greco paints elegant figures.

The bodies of the figures are in torsion, which means that their poses are bent or forced.

The Adoration of the Shepherds by El Greco.

What is relevant about this painting?

In this painting, we can see that El Greco understood colour and light in a unique way.

We can see this in how he uses brushstrokes to paint the figures and how the baby illuminates a night scene in a narrow place.

Some experts say that El Greco portrayed himself in this painting as the shepherd with the beard who kneels, and he portrayed his son Jorge Manuel as the shepherd who stands.

This painting is one of the most important works that El Greco painted during the last years of his life.

El Greco created this painting for his own funeral chapel in the church of the convent of Santo Domingo el Antiguo in Toledo.

He chose this chapel for his burial.

Detail of The Adoration of the Shepherds by El Greco.

This work belongs to the following tours:

Easy-to-read content of Museo del Prado
Funded by the European Union - NextGenerationEU Government of Spain - Ministry of Culture Recovery, Transformation and Resiliency Plan Museo Nacional del Prado

Funded with the National Recovery and Resilience Plan (NRPP) , Spain’s Next Generation EU financing and according to the initiatives within the component C.24.I3 Digitization and valorization of major cultural services. The project is part of Campus Prado within Accessibility and Signage: Revitalization of the Urban Environment action line and as a universal accessibility activity.

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