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02-06-2026
Bernardo López Piquer
Valencia, 1799 - Madrid, 1874
Vicente López Portaña
Valencia, 1772 - Madrid, 1850

Alejandro Mon

1850. Oil on canvas.
Not on display

Alejandro Mon y Menéndez, politician and diplomat, was born in 1801 in Oviedo, where he studied law at the university. Under the protection of the Count of Toreno and his brother-in-law, the Marquis of Pidal, he entered politics after the death of Ferdinand VII, and was appointed Minister of Finance in 1837, 1846 and 1848. He is fairly regarded as one of the great 19th century finance experts and he is remembered, above all, for his fundamental reforms of the tax systems. The document and the book with which he is portrayed address some of these reforms. He was a member of the Academy of Moral and Political Sciences and he was awarded, among others, the Cross of Pius IX, the Cross of Leopold of Austria, Charles III and the Legion of Honour, which appear in the portrait.

The artist left the portrait unfinished on the death of Don Vicente –to whom the head and neck are undoubtedly attributed –and his son Bernardo painted it almost entirely. This accounts for both the attribution to the old master, maintained by family tradition, and the fact that most of the portrait depicts Bernardo´s style. It is, in any case, a portrait of excellent quality. One of its indisputable successes lies in the fact that it can be considered the first in a series of an iconographic prototype of official portraits of ministers and public officials. This would continue throughout the rest of the 19th century and the first third of the present one.

Díez García, José Luis, Vicente López (1772-1850) II. Catálogo razonado, Madrid, Fundación de Apoyo a la Historia del Arte Hispánico, 1999, p.158

Multimedia

Technical data

Imagen del carrusel
Imagen del carrusel
Inventory number
P004403
Authors
Bernardo López Piquer; Vicente López Portaña
Title
Alejandro Mon
Date
1850
Technique
Oil
Support
Canvas
Dimension
Width: 146.5 cm; Height: 216.99998 cm
Provenance
Bequest of Alejandro Mon y Martínez for the Museo de Arte Moderno, 1912; Museo de Arte Moderno, 1912-1968; Museo Español de Arte Contemporáneo, 1968–1971
Entry date
1971

Bibliography +

De la Puente, Joaquín, Casón del Buen Retiro. Catálogo de las pinturas del siglo XIX, Ministerio de Cultura, Madrid, 1985, pp. 131.

Díez, José Luis, Canovas y la Restauracion, Ministerio de Educacion y Cultura, Madrid, 1997, pp. 138.

Díez García, José Luis, Vicente López (1772-1850) II. Catálogo razonado, Fundación de Apoyo a la Historia del Arte Hispánico, Madrid, 1999, pp. 158.

Alejandro Mon : Hacienda y Politica en la España Isabelina, Museo de Bellas Artes, Oviedo, 2003, pp. 30.

Díez, José Luis (dir.), Pintura del Siglo XIX en el Museo del Prado: catálogo general, Museo Nacional del Prado, Madrid, 2015, pp. 339.

Other inventories +

Registros-Inventarios Museo Nacional de Arte Moderno, 1900-1936. Núm. 46L.

Inscriptions +

R.l decreto de 8 de setiembre de / 1848 sobre el pago de billetes del / banco de S.n Fernando, y ley de 4 de mayo de 1849 refor/mando el mismo banco. / Ley de Aranceles de 17 de / julio de 1849. [en la mano derecha, sobre la portada de un documento]
Inscribed in black. Front, left side

M.A.M. 46 (L)
Front, lower left corner

Reforma del / sistema / de contribu / ciones / 1846 [título del libro sobre la mesa, junto a un paquete de legajos]
Front, left side

Exhibitions +

Alejandro Mon. Hacienda y política en la España Isabelina
Oviedo
09.05.2003 - 29.07.2003

Cánovas y la restauración
Madrid
17.12.1997 - 05.02.1998

Displayed objects +

Document: R.l Decreto de 8 de Setiembre de / 1848 sobre el pago de billetes del / Banco de S.n Fernando, y Ley / de 4 de Mayo de 1849 refor- / mando el mismo Banco. / Ley de Aranceles de 17 de / Julio de 1849.

Royal and Distinguished order of Charles III: La Real y Distinguida Orden española de Carlos IIIle fue concedida en 1846 (Proyecto catalogación elementos heráldicos y falerísticos, Real Academia Matritense de Heráldica y Genealogía).

Window glazed with flat panes of glass: Ventana acristalada con hojas de vidrio plano unidas mediante junquillos de madera formando crucetas (Fernández Navarro, J. M.; Capel del Águila, F.: El vidrio en la pintura del Museo Nacional del Prado, 2012).

Pen: Plumas de ave para escribir

Update date: 02-06-2026 | Registry created on 28-04-2015

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