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Console
Real Laboratorio de Piedras Duras del Buen Retiro; Ferroni, Juan Bautista -Broncist-
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Real Laboratorio de Piedras Duras del Buen Retiro
Madrid (Spain), 1762 - Madrid (Spain), 1808
Ferroni, Juan Bautista

Console

1774 - 1782. Gilt-bronze, Lapis lazuli, Paragone Not on display

A table with two images of paintings (a seascape and a landscape) on a background of touchstone or Belgian black marble. Various books, a checkerboard, a small cup and a bag have been haphazardly arranged around them. The representation of the images is directly based on famous compositions by French painter Joseph Vernet (1714-1789), whose work was much appreciated by Charles III and Charles IV. Motives related to games involving cards or chessboards are based on contemporaneous French models by V. Penot.

The bronze legs consist of four feet ending in lion’s claws. At the top, they have busts of bare-breasted winged women. A rich central cartouche has a face and the initials CT beneath a crown on a lapis-lazuli background. The same stone appears in the girdle. It has been suggested that the bronze feet may have been made by Juan Bautista Ferroni between 1774 and 1779 and modeled after Neapolitan tables from the first half of the century—those with espagnolettes at the knee. Documents indicate that the tabletop was completed in 1778 and the entire table in 1782.

This table and its pair (O00475) are mentioned in 1794 in Charles III’s will (the table bears that monarch’s initials on its skirting’s central cartouche). Years later, the palace inventory of 1822 listed it in the Chamber Room of the King’s Quarters. On May 12, 1827, Ferdinand VII sent these two tables to the Real Museo del Prado (Text from González-Palacios, A.: Las colecciones reales españolas de mosaicos y piedras duras, 2001, pp. 170-174).

Technical data

Related artworks

Console
Gilt-bronze, Lapis lazuli, Paragone, 1774 - 1783
Inventory number
O000474
Author
Real Laboratorio de Piedras Duras del Buen Retiro; Ferroni, Juan Bautista -Broncist-
Title
Console
Date
1774 - 1782
Technique
Inlay
Medium
Gilt-bronze; Lapis lazuli; Paragone
Dimension
Height: 95 cm.; Width: 190 cm.; Base/bottom: 94 cm.
Provenance
Royal Collection (Palacio Real, Madrid, Cuarto del Rey, Pieza de Cámara, 1822)

Bibliography +

Perez Villamil, Manuel, Artes e Industrias del Buen Retiro. La Fabrica de la China, Suc.De Ribadeneyra, 1904.

Rossi, Ferdinando, La Pittura Di Pietra, Banca Toscana, 1967.

Giusti, Anna Maria, Pietre Dure. Hardstone in Furniture and Decorations, Philip Wilson Publishers, 1992, pp. 223-253.

Aguiló Alonso, María Paz, Mesas de piedras duras en el Museo del Prado, Galería Antiquaria, 1996, pp. 28-34.

Mañueco Santurtún, Carmen, Manufactura del Buen Retiro 1760-1808, Ministerio de Educacion y Cultura, 1999, pp. 147-154.

Museo Nacional del Prado, Goya y la pintura española del siglo XVIII: guía, Museo del PradoAldeasa, Madrid, 2000, pp. 77-80.

González-Palacios, Alvar, Las colecciones reales españolas de mosaicos y piedras duras, Museo Nacional del Prado, Madrid, 2001, pp. 170-174, nº 27..

Aguiló Alonso, María Paz, Mosaicos y Piedras duras del Prado, Galería Antiquaria, 2001, pp. 62-66.

López Castán, Ángel, La ebanistería madrileña y el mueble cortesano del siglo XVIII (II), Anuario del Departamento de Historia y Teoría del Arte, XVII, 2005, pp. 104.

Cruz Yábar, María Teresa, Noticias sobre ocho mesas del Real Laboratorio de Piedras Duras en el Museo del Prado, Boletín del Museo del Prado, XXXIV (52), 2016, pp. 32-49 [32,36,41 f.4].

Other inventories +

Inv. Real Museo, 1857. Núm. 484.
"484. Una mesa de mosaico con un país,/ una marina, un tablero de damas/ y otros varios objetos. Ygual en/ su forma, dimensiones y adorno/ al nº 425"

There are no temporary exhibitions related to this work

Displayed objects +

Heraldic and Noble Elements

Plate

Cup

Game / Toy

Book

Painting

Update date: 17-10-2019 | Registry created on 02-12-2015

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