In this beautiful panoramic view of the buildings overlooking the Huécar canyon at Cuenca, taken from the Puente de San Pablo or nearby, Beruete achieved the perfect blend of topography and history that he always sought in his compositions. In this “snapshot” view, the clear air is conveyed by pure colours.
Díez, José Luis (dir.), Pintura del Siglo XIX en el Museo del Prado: catálogo general, Museo Nacional del Prado, Madrid, 2015, pp. 104.
Registros-Inventarios Museo Nacional de Arte Moderno, 1900-1936. Núm. 77-B.
A. de Beruete
Inscribed in black.
Front, lower left corner
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