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02-06-2026
Emilio Sala Francés

Alcoy, Alicante, 1850 - Madrid, 1910

Emilio Sala Francés See author's file

Jacinto Octavio Picón

1889. Oil on canvas.
On display elsewhere

Jacinto Octavio Picón (Madrid, 8 September 1852–Madrid, 19 November 1923), son of the journalist and magistrate Felipe Picón and Octavia Bouchet (a French lady), studied law between 1869 and 1873. He was first an administrative officer in the Overseas Ministry during the Republic and later literary correspondent for El Imparcial. He then moved to Paris and later to Algeria. He excelled in short stories and novels, becoming well-known from his first work, Lázaro (1882), followed by La hijastra del amor (1884), Juan Vulgar (1895), El enemigo (1887), La honrada (1890) and Dulce y sabrosa (1891). These works gave him a reputation among naturalist writers. In addition, he was also a fine arts critic in El Correo. In 1900, he joined the Real Academia Española, of which he was appointed perpetual librarian in 1914, and in 1902, he joined the Academia de Bellas Artes de San Fernando with a speech on The Nude in Art. As a proponent of republican ideas, he was a member of parliament for Madrid in 1903. In his later years, he was vice-president of the Board of Trustees of the Museo del Prado and secretary of the Board of National Iconography.

Technical data

Imagen del carrusel
Imagen del carrusel
Inventory number
P007584
Author
Emilio Sala Francés
Title
Jacinto Octavio Picón
Date
1889
Technique
Oil
Support
Canvas
Dimension
Height: 58 cm; Width: 44 cm
Provenance
Bequest of Jacinto Octavio Picón to the Museo de Arte Moderno, 1923; Museo de Arte Moderno, 1923–1971; Museo Nacional Centro de Arte Reina Sofía, 2016
Entry date
2016

Bibliography +

Un Siglo de Pintura Valenciana, Generalitat Valenciana, Valencia, 1994, pp. nº 8.

Museo Nacional del Prado, Maestros de la pintura valenciana: del siglo XIX en el Museo, Museo Nacional del Prado, Madrid, 1997, pp. 170-171.

Orihuela, Mercedes y Cenalmor, Elena, El "Prado disperso". Obras depositadas en Málaga, Boletín del Museo del Prado, XXI, 2003, pp. 128.

Sauret Guerrero, Teresa, Tradición e innovación en el Museo de Málaga (1850-1949), Consejería de Cultura Junta de Andalucía, Malaga, 2004.

Díez, José Luis (dir.), Pintura del Siglo XIX en el Museo del Prado: catálogo general, Museo Nacional del Prado, Madrid, 2015, pp. 532.

Other inventories +

Registros-Inventarios Museo Nacional de Arte Moderno, 1900-1936. Núm. 83 S.

Inv. Museo Arte Moderno, 1954. Núm. 542.

Inscriptions +

á mi amigo intimo Picón / Emilio Sala / París 1889
Signed and dated. Front, upper right corner

etiqueta: INV. MAM 1954
Stretcher

Exhibitions +

Tradición y modernidad en la pintura decimonónica en el Museo de Málaga
Málaga
19.02.2004 - 02.05.2004

Un siglo de pintura valenciana: 1880-1890. Intuiciones y propuestas
Valencia
20.05.1994 - 10.07.1994

Location +

Málaga - Museo de Málaga (Deposit)

Update date: 02-06-2026 | Registry created on 18-04-2017

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