Leda and the Swan
1529 - 1550. Oil on panel.Room 052B
As in the case of Leonardo with his depiction of this story from Ovid’s Metamorphoses, the German artist Georg Pencz was inspired by classical sculpture (in this case the Sleeping Ariadne) to depict the seduction of the Aetolian princess by Zeus, transformed into a swan. In contrast to the Renaissance visual tradition, the swan does not wrap itself around Leda but rather flirts with her, allowing Pencz to show her frontally. The children may be three of the four born from this union: Castor, Pollux, Helen and Clytemnestra.