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17-02-2026
Francisco Pérez Sierra

Naples (Italy), 1627 - Madrid (Spain), 1709

See author's file

Vase of Flowers

Ca. 1700. Oil on canvas.
Not on display

This vase contains a variety of flowers and is presented in frontal perspective in order to appreciate both the fall of the lower ones and the verticality of the upper ones, a technique used to admire them. Its appearance is dominated more by the contrast between light and shade, and between colour ranges, than by the outline of the figures. His style is related to that of the still-life painters Bartolomé Pérez, Juan de Arellano and Mario Nuzzi. Six paintings by his hand, and similar ones, were in the same room in the Buen Retiro Palace. Probably due to his training, this painting was listed in the historical inventories as anonymous Italian.

The still life was a popular subject in Golden Age painting in Spain as an independent genre. This domestic painting allows for the exaltation of flowers, crockery, textiles and other objects, which is why it is often combined with vanitas. The artificial light emanating from the objects is typically Baroque.

Technical data

Imagen del carrusel
Imagen del carrusel
Inventory number
P001287
Author
Francisco Pérez Sierra
Title
Vase of Flowers
Date
Ca. 1700
Technique
Oil
Support
Canvas
Dimension
Width: 43 cm; Height: 62 cm
Provenance
Royal Collection (¿Palacio Real, Madrid, oratorio reservado, 1814-1818, nº 459?).

Bibliography +

Ceán Bermúdez, Juan Agustín, Diccionario historico de los mas ilustres profesores de las Bellas Artes en España, IV, Imprenta de la Viuda de Ibarra, Madrid, 1800, pp. 81-83.

Viñaza, Conde de la (Cipriano Muñoz y Manzano), Adiciones al Diccionario histórico de los más ilustres profesores de Bellas Artes en España, III, Madrid, 1894, pp. 256.

Cavestany, Julio, Floreros y bodegones en la pintura española, Sociedad Española de Amigos del Arte, Madrid, 1936, pp. 13,29,41,48,91.

Ponz, Antonio, Viaje a España seguido de los dos tomos del viaje fuera de España, M. Aguilar, Madrid, 1947, pp. 554.

Gaya Nuño, Juan Antonio, Notas al catálogo del Museo del Prado. (El Prado disperso e inédito), Boletín de la Sociedad Española de Excursiones, LVIII, 1954, pp. 128.

Fernández Bayton, Gloria, Inventarios reales: testamentaria del Rey Carlos II: 1701-1703, II, Museo del Prado, Patronato Nacional de Museos, Madrid, 1981, pp. 309,313.

Fernández Bayton, Gloria, Inventarios reales: testamentaria del Rey Carlos II : 1701-3, III, Museo del Prado,Patronato Nacional de Museos, Madrid, 1985, pp. 16.

Espinós, A.; Orihuela, M. y Royo Villanova, M. [et al.], "El Prado disperso". Cuadros depositados en Barcelona. I. Ayuntamiento, Boletín del Museo del Prado, VII, 1986, pp. 56.

Palomino de Castro y Velasco, Antonio, El Museo Pictorico y Escala Optica. V. III. El Parnaso Español Pintoresco y Laureado, Aguilar, Madrid, 1988, pp. 486-487.

Museo Nacional del Prado, Museo del Prado: inventario general de pinturas (I) La Colección Real, Museo del Prado, Espasa Calpe, Madrid, 1990, pp. 678.

Pérez Sánchez, A.E., Floreros de Francisco Pérez Sierra, Boletín del Seminario de Estudios de Arte y Arqueología. (BSAA) Homenaje al profesor Martín González, 61, Valladolid, 1995, pp. 543-545.

Cherry, Peter, Arte y naturaleza: el bodegón español en el siglo de oro, Ediciones Doce Calles, Madrid, 1999, pp. 316-318.

Pérez Sánchez, Alfonso E., Pintura barroca en España: 1600-1750, Cátedra, 2010, pp. 335.

Other inventories +

Inv. Fernando VII, Palacio Nuevo, 1814-1818. Núm. ¿459?.
Oratorio Reservado [...] {21218} 459 / Vara de alto tres quartas ancho, varios jarrones de flores = Margarita Caf

Inv. Real Museo, 1857. Núm. 2586.
ESCUELA ITALIANA / 2586. UN FLORERO. / ALTO 2 PIES, 3 PULG; ANCHO 1 PIE, 6 PULG, 6 LIN.

Catálogo Museo del Prado, 1872-1907. Núm. 1145.

Inscriptions +

459
Inscribed in white. Front, lower left corner

2586.
Inscribed in orange. Front, lower left corner

Update date: 17-02-2026 | Registry created on 15-04-2025

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