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Exhibition

Touching the Prado. Museo de Belas Artes da Coruña

Museo de Belas Artes da Coruña. A Coruña 3/7/2022 - 4/24/2022

Continuing its tour, the "Touching the Prado" exhibition has arrived in A Coruña, where it will be on view until 24 April, making representative works from its collection accessible to people with some kind of visual impairment.

The Museo del Prado, with the sponsorship of Fundación AXA and the support of Fundación ONCE, present this exhibition of images in relief of artworks from the Prado, among them Vulcan’s Forge and The Parasol, for visitors to explore and touch with their hands.

Additionally, a tactile reproduction of one of the most iconic works at the Museo de Belas Artes da Coruña—Shellfish Gatherers by Luis Seoane—has been made for the occasion.

Curator:
Fernando Pérez Suescun, Didactic Content Manager in the Prado’s Education Department

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Exhibition

Exhibition view

Exhibition view

This is the Museo del Prado’s first initiative for visually impaired visitors: an exhibition of six images in relief, representing different art styles and genres that reflect the depth and richness of the museum’s collections.

Religious painting, mythology, genre scenes, portraiture and still life are the genres that the Prado has, for the first time in its history, made available to blind or partially sighted visitors by creating tactile reproductions of great works like Noli me tangere by Correggio,Vulcan’s Forge by Velázquez, The Parasol by Goya, the Mona Lisa by Leonardo da Vinci’s workshop, The Nobleman with his Hand on his Chest by El Greco and Still Life with Artichokes, Flowers and Glass Vessels by Van der Hamen, the last three at full scale. At the Museo de Belas Artes da Coruña, these are joined by a reproduction of Luis Seoane’s Shellfish Gatherers, one of the Galician museum’s most iconic works. 

Developed in collaboration with visually impaired professionals, this project contains additional material such as panels and labels in Braille, audio guides that provide precise instructions on how to complete a tactile tour of the pieces on display, and blindfold-like opaque glasses so that sighted visitors can share in this sensory experience.

These artworks were reproduced in tactile relief with the Didú technique developed by Estudios Durero, using high-resolution photographs to create textures and volumes up to six millimetres deep.

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