The itinerary <em>TITULORECORRIDO</em> has been successfully created. Now you can add in works from the Collection browser
<em>TITULOOBRA</em> added to <em>TITULORECORRIDO</em> itinerary

Female Nude, or After the Bath
Rosales Gallinas, Eduardo
Close Continuar a ficha de la obra

Rosales Gallinas, Eduardo

Madrid, 1836 - Madrid, 1873

Rosales Gallinas, Eduardo See author's file

Female Nude, or After the Bath

Ca. 1869. Oil on canvas.
Room 061B

Considered to be, with good reason, the most beautiful nude in nineteenth-century Spanish painting, this work provides eloquent testimony of the modernity that made Rosales stand out in the Spanish artistic panorama of his time. He would have earned himself a prominent place among the era´s artistic vanguard in Europe if his brilliant career had not been cut short by his premature death. Neither a mere sketch nor academic study, this painting is an intentionally unfinished work. Rosales´s approach in this canvas is unusually daring in formal terms, his pictorial language is vehement, sincere and audacious, and the painter seems to seek the greatest possible expressiveness of pure painting. With a restrained colour palette, drawn from pinks and carmines that contrast with the greenish tones so characteristic of his oeuvre, Rosales took full advantage of paint´s substance, combining markedly impastoed zones with others in which the greyish preparatory layer of the canvas is visible. In addition, using the handle end of his paintbrush he traced lines into the paint to mark the hair, and used pigments with the fluidity of watercolour for other areas, allowing them to drip down the canvas in a fearless approach to the medium that is truly astonishing. Such an approach would not become common in Spanish painting until almost Joaquín Sorolla´s time.On the other hand, the simplicity of the composition -in which the model´s luminous nude body is perfectly framed by the space surrounding her, suggested by a few lines- reveals the astounding conceptual shift that Rosales represents among the painters of his generation and his decisive role in leading his contemporaries in Spain toward modern painting.Even more surprising is how Rosales demonstrated his sensibility as an artist by capturing on this canvas -despite its extremely agile, synthetic technique- the palpable, carnal sensuality of the female form, transferred to the painting with absolute honesty and without any idealisation or artifice. Thus, he models the volume of her body -round and full, with command of the light that shines from the left- sculpting it with large spaces of colour, executed in energetic, confident brushstrokes, without hesitation or retouching. The model, withdrawn into her own world, dries her skin, her back to the viewer. Rosales highlights her pale complexion in the half-light of the room and marks the sinuous contours of her long legs and wide hips through long, continuous brushstrokes that coolly underscore the erotic charge of an otherwise modest pose.This work was painted in Rome in a single day. Apparently, Rosales´s usual model, Nicolina, posed for this work, although the figure in the painting also bears a striking resemblance in terms of posture and anatomy to the sculpture by the German Reinhold Begas (1831-1911), After the bath (Nach dem bade) 1861, which Rosales would have seen in Rome (now in the Hamburger Kunsthalle, Germany).The absolute freedom in its execution and, indeed, the very subject of the canvas, suggest its intimate, reserved character. It remained in Rosales´s studio until his death in 1873 (Díez, J. L.: Portrait of Spain. Masterpieces from the Prado, Queensland Art Gallery-Art Exhibitions Australia, 2012, p. 264).

Technical data

Inventory number
Rosales Gallinas, Eduardo
Female Nude, or After the Bath
Ca. 1869
Height: 180 cm; Width: 90.5 cm
Acquisition, 1878; Museo Nacional de Pintura y Escultura (Museo del Prado), 1878-1896; Museo de Arte Moderno 1896-197

Bibliography +

Lozoya, Juan de Contreras y López de Ayala, Marqués de, Historia del arte hispánico, Salvat, Barcelona-B.Aires, 1949, pp. 387.

Un siglo de arte español: (1856-1956), Ministerio de Educación Nacional, Dirección General de Bellas Artes, Madrid, 1955.

Museo Nacional del Prado, Catálogo de las pinturas del siglo XIX, Ministerio de Cultura, Madrid, 1985, pp. 234.

Museo Nacional del Prado, Museo del Prado. Inventario general de pinturas (III). Nuevas Adquisiciones. Museo Iconográfico. Tapices., Museo del Prado, Espasa Calpe, Madrid, 1996.

Obras Maestras del Museo del Prado, The Yomiuri Shimbun, Tokyo, 2002.

Enciclopedia del Museo del Prado, III, T.F. Editores: Fundación Amigos, Madrid, 2006, pp. 919.

Díez, José Luis; Barón, Javier (ed.), El siglo XIX en el Prado, Museo Nacional del Prado, Madrid, 2007, pp. 211-213 Lám.38.

Navarro, Carlos G., 'Nuevas fuentes formales en la obra de Eduardo Rosales' En: In sapientia libertas. Escritos en homenaje al profesor Alfonso E. Pérez Sánchez, Museo del Prado - F. Focus Abengoa, Madrid, 2007, pp. 693-703.

Reyero, Carlos, Desvestidas. El cuerpo y la forma real, Alianza, 2009, pp. /27.

Portrait of Spain. Masterpieces from The Prado, Queensland Art Gallery, 2012, pp. 264-265, nº100.

Díez, J.L. (dir.), Pintura del Siglo XIX en el Museo del Prado. Catálogo general, Museo Nacional del Prado, Madrid, 2015, pp. 523.

Other inventories +

Catálogo Museo del Prado, 1985. Núm. 4616.

Catálogo Museo de Arte Moderno, 1900. Núm. 568.
SECCIÓN DE PINTURA EN SUS DIVERSAS CLASES, DIBUJOS Y GRABADOS EN LÁMINAS. / Rosales (D. Eduardo) [...] 568.- Mujer al salir del baño. / Alto 1'80 metros. Ancho 0'75 metros.

Catálogo Museo del Prado, 1889. Núm. 263.

Inv. General del Museo de Arte Moderno, 1899-1902. Núm. 208.

Catálogo Museo de Arte Moderno, 1899. Núm. 362.
SECCIÓN DE PINTURA EN SUS DIVERSAS CLASES, DIBUJOS Y GRABADOS EN LAMINAS. / ROSALES (D. Eduardo) [...] 362.- Mujer al salir del baño. / Alto 1'80 metros. Ancho 0'75 metros.

Inv. Museo Arte Moderno, 1954. Núm. 517.

Registros-Inventarios Museo Nacional de Arte Moderno, 1900-1936. Núm. 64-R.

Registros-Inventarios Museo Nacional de Arte Moderno, 1900-1936. Núm. 40R.

Actas traslado de obras MEAC - Prado, 1971-1973. Núm. 755.

Inv. Nuevas Adquisiciones (iniciado en 1856). Núm. 459.
459 / Autor Dn. Eduardo Rosales / Una Muger en Actitud de salir del baño / Alto 1'80 Ancho 0'95 // [nota al margen=] Adquirido por el Govierno de S. M. con destino al Museo Nl de Pinturas a Dn Pedro Bosch en la cantidad de 3,500 pesetas, con fha 18 Junio 1878. // [con otra grafía=] (Remitido al Museo del Prado con fha 24 Junio 1878) / [con otra grafía=] Pasó al Museo de A. M.

Inscriptions +

M.A.M. 40 (R)
Inscribed in red color. Front, lower right corner

T. 459
Inscribed in blue. Front, lower right corner

Exhibitions +

06.06.2020 - 25.07.2021

Portrait of Spain. Masterpieces from the Prado
16.12.2012 - 31.03.2013

Portrait of Spain. Masterpieces from the Prado
Houston TX
15.12.2012 - 31.03.2013

Portrait of Spain. Masterpieces from the Prado
22.07.2012 - 04.11.2012

Portrait of Spain. Masterpieces from the Prado
Brisbane, Australia
21.07.2012 - 04.11.2012

El Siglo XIX en el Prado
31.10.2007 - 20.04.2008

Obras Maestras del Museo del Prado - Tokio
05.03.2002 - 23.06.2002

Location +

Room 061B (On Display)

Update date: 20-08-2022 | Registry created on 28-04-2015

Other works by Rosales Gallinas, Eduardo

Print on demand

Print artworks available in our catalogue in high quality and your preferred size and finish.

Image archive

Request artworks available in our catalogue in digital format.