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The Immaculate Conception
Pereda y Salgado, Antonio de
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Pereda y Salgado, Antonio de

Valladolid (Spain), 1611 - Madrid (Spain), 1678

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The Immaculate Conception

1636. Oil on canvas Not on display

Among the painters working in Madrid, Pereda possessed one of the most distinctive styles, which derived from his study of Flemish and Venetian painting and is evident in works that combine chromatic richness with heavy impasto and descriptive precision. This Immaculate Conception is a typical example of his style but is iconographically unusual in that the Virgin’s mantle was originally red.

Technical data

Inventory number
P005208
Author
Pereda y Salgado, Antonio de
Title
The Immaculate Conception
Date
1636
Technique
Oil
Support
Canvas
Dimension
Height: 179 cm.; Width: 128 cm.
Provenance
Acquisition, 1880.

Bibliography +

Pérez Sánchez, Alfonso E., D. Antonio de Pereda (1611-1678) y la pintura madrileña de su tiempo, Ministerio de Cultura, Dirección General del Patrimonio, Madrid, 1978, pp. nº 4.

Angulo Íñiguez, Diego, Historia de la pintura española: escuela madrileña del segundo tercio del siglo XVII, Instituto Diego Velázquez, Madrid, 1983, pp. 180 / lám. 148.

Museo Nacional del Prado, Museo del Prado: inventario general de pinturas, III, Museo del Prado, Espasa Calpe, Madrid, 1996.

Esplendores de Espanha de el Greco a Velazquez, Arte Viva, Río De Janeiro, 2000, pp. 181.

Other inventories +

Inv. Nuevas Adquisiciones (iniciado en 1856). Núm. 505.
Autor Dn Antonio Perea / 505 Concepción de la Virgen en un trono de ángeles / Alto 1,79 Ancho 1,28 / Fue adquirido por el govierno de S.M con destino al Museo N.L de Pinturas y Esculturas en la cantidad de .... pesetas". [en 1880].

Exhibitions +

De El Greco a Velázquez. La cultura española durante la Unión Ibérica, 1580-1640
Río de Janeiro
12.07.2000 - 24.09.2000

Location +

(Deposit)

Displayed objects +

Crown / Wreath

Update date: 01-08-2019 | Registry created on 28-04-2015

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