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The Siege of Numancia
Moyano Villareal, Antonio Valeriano
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Moyano Villareal, Antonio Valeriano

Guadix. Granada - Guadix. Granada, 1772

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The Siege of Numancia

1753 - 1759. Marble

This scene, with its crowded composition and striking sense of movement, depicts the siege of the Celtiberian city of Numancia (Soria) by the forces of the Roman general Scipio (133 BC). It shows cavalry troops engaged in combat, with a city in flames in the background. Born in Granada, Moyano became a priest in 1747.

Within the sculptural programme commissioned by Ferdinand VI to decorate the New Royal Palace in Madrid were thirty-six reliefs or medallions (of an initially proposed forty-six), most of them sculpted in Badajoz marble and intended for the overdoors of the principal gallery. The iconographic programme was devised by the Benedictine scholar and monk Martin Sarmiento (1695-1772). The subjects depicted included religious ones intended as examples of good behavior; scientific ones aimed at promoting knowledge; political institutions, symbolizing good government; and military victories, representing heroism. This ornamental scheme was approved by the monarch in 1748 and begun in 1753 with the participation of the leading court sculptors. In 176o, however, Charles III decided that the reliefs were too elaborate and some of them remained unfinished or barely roughed out. Thirty-one of them entered the Museo del Prado in 1862, of which six were subsequently sent to the Real Academia de Bellas Artes de San Fernando in Madrid.

Technical data

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Inventory number
E000461
Author
Moyano Villareal, Antonio Valeriano
Title
The Siege of Numancia
Date
1753 - 1759
Technique
Sculpted
Medium
Marble
Dimension
Height: 85 cm.; Width: 125 cm.; Base/bottom: 20 cm.; Weight: 248.8 Kg.
Series
Sobrepuertas de la galería principal del Palacio Real de Madrid
Provenance
Royal Collection

Bibliography +

Lorente, Manuel, Los relieves marmóreos del Palacio Real de Madrid, Arte español : revista de la Sociedad de Amigos del Arte, 20, 1954, pp. 58-72.

Plaza Santiago, Francisco Javier de La, Investigaciones sobre el Palacio Real Nuevo de Madrid, Publicaciones del Departamento de, Valladolid, 1975.

Museo Nacional del Prado, Catálogo de la escultura, Patronato Nacional de Museos, Madrid, 1981.

Real Academia de Bellas Artes de San Fernando, La escultura en la Real Academia de Bellas Artes de San Fern..., Real Academia de Bellas Artes de, Madrid, 1994, pp. 161.

Tárraga, M. L., Los relieves labrados para las sobrepuertas de la Galería principal del Palacio Real, Archivo Español de Arte, 69, 1996, pp. 45-68.

Muniain Ederra, Sara, El programa escultórico del Palacio Real de Madrid y la Ilustración española, Fundación Universitaria Española, Madrid, 2000.

Boletín del Seminario de Estudios de Arte y Arqueología, Boletín del Seminario de Estudios de Arte y Arqueología, LXXIV, 2008, pp. 203-208.

Azcue Brea, Leticia, El origen de las colecciones de escultura del Museo del Prado. El Real Museo de Pintura y Escultura, El taller europeo. Intercambios, influjos y préstamos en escultura moderna europea. I Encuentro europeo de museos con colecciones de escultura, Valladolid, 2012, pp. 73-108.

Azcue Brea, Leticia, Conferencia: Relieves del claustro alto del Palacio Real de Madrid en la coleccion del Museo del Prado, Museo Nacional del Prado, 2016.

Other inventories +

Inv. Real Museo, Escultura, 1857. Núm. 738.
Inventario de la Col. Real, escultura: 738. Treinta y una medallas obaladas de medio relieve de mármol de Carrara que representan diferentes asuntos, muchas de sus figuras están sin cabezas y sin estremos, y una partida por medio en que se ve San Isidro, pertenecientes a la Galería principal de Palacio. Cuatro de ellas en desvaste. Largo 4 pies, 3 pulg. Ancho 3 pies.

There are no temporary exhibitions related to this work

Location +

Room 086 (On Display)

Expuesto

Displayed objects +

Weapons / Arms

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Update date: 02-05-2019 | Registry created on 28-04-2015

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