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An Incident Resolved by Sánchez Cantón y Tormo
Carlos Manso Manso, General Operations Service Technician (Photographer), 1953-1999An Incident Resolved by Sánchez Cantón y Tormo
Carlos Manso Manso, General Operations Service Technician (Photographer), 1953-1999
Something really significant happened that I will never forget, and it happened when my father was still there. We were taking pictures of Goya’s The Third of May 1808. It’s a distressing anecdote, but no harm was done in the end. We had to set up a complicated lighting arrangement and we were using a series of metal plates that reflected the light on the painting. At some point, we must have moved one of the cables and the thing fell on the painting. The Director was Sánchez Cantón and I went to tell him what had happened. He said: “Don’t worry! If paintings are moved things like this can happen! Don’t worry!”. They removed the painting from the wall and closed the hall. It was repaired by [Manuel Pérez] Tormo, a restorer who was working at the Museum at the time. He took a morning more or less to do it and they exhibited the work again. No harm was done, but I had the scare of my life!
He joined the Museo del Prado as an art photographer, working there for four decades. He is the son of David Manso, the Museum's first police officer and also its first photographer.
Interview recorded on May 10, 2015
Interview index
9 / 15-
Fernando Álvarez de Sotomayor, David Manso and Mariano Moreno -
Manuel Olivares: Roving Photographer -
The 1940’s: The Beginnings of the Photography Laboratory -
An Historical Photo -
I Joined the Museum in 1953 -
Glass Plates and Celluloid -
From Black and White to Colour -
Lighting a Painting Is Complicated -
An Incident Resolved by Sánchez Cantón y Tormo -
Photographing the Restoration of the Dauphin’s Treasure -
The 1980’s: The Laboratory Moves to the Casón -
Photographing the Guernica at the Casón -
Directors and Other Visitors -
We Worked in a Family Atmosphere -
The Museum Is My Second Home
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