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Manuel Olivares: Roving Photographer
Carlos Manso Manso, General Operations Service Technician (Photographer), 1953-1999Manuel Olivares: Roving Photographer
Carlos Manso Manso, General Operations Service Technician (Photographer), 1953-1999
In those days there were roving photographers who worked at the entrances to many tourist sights. So a man was standing in the street talking photos. He had a large camera, over which he draped the typical black cloth. And a stand that must have been made out of cardboard. Tourists in those days didn’t have photographic cameras. People liked to have a souvenir of the Museum entrance and would say: “Here! Could you please take a photo of us?”. Then they would be sent the photo by mail. And that photographer was very good, and he had a whole team who worked with him. That’s how my father met him and later hired him to work at the Museum. Manuel Olivares was the father of my colleague, Manolo. He was with us for many years. And when he died, my colleague, Olivares, joined the Museum.
He joined the Museo del Prado as an art photographer, working there for four decades. He is the son of David Manso, the Museum's first police officer and also its first photographer.
Interview recorded on May 10, 2015
Interview index
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Fernando Álvarez de Sotomayor, David Manso and Mariano Moreno -
Manuel Olivares: Roving Photographer -
The 1940’s: The Beginnings of the Photography Laboratory -
An Historical Photo -
I Joined the Museum in 1953 -
Glass Plates and Celluloid -
From Black and White to Colour -
Lighting a Painting Is Complicated -
An Incident Resolved by Sánchez Cantón y Tormo -
Photographing the Restoration of the Dauphin’s Treasure -
The 1980’s: The Laboratory Moves to the Casón -
Photographing the Guernica at the Casón -
Directors and Other Visitors -
We Worked in a Family Atmosphere -
The Museum Is My Second Home
- Collective
- Photography
- Chronology
- 1950-1960
- RDF
- RDF