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Colourful Goya
José Torreblanca Prieto, Grandson of José Prieto, Lead Concierge, 1936-1948Colourful Goya
José Torreblanca Prieto, Grandson of José Prieto, Lead Concierge, 1936-1948
I remember snowy days, looking up at the entrance. It had large, light-filled windows and was really lovely. Inside there were enormous paintings of saints, most of them very dark and a bit gloomy. Paintings of this type doesn’t interest a child. I sometimes blame having lived in the Prado for my not being very interested in painting. I’m a keen reader and I love music. Reading and music move me. But painting moves me less. Because what I remember about the Museum was gloominess. Until I reached Goya at the end of the long gallery where I saw a few things that struck me, more like a kid’s comic. For example, the Executions or The Family of Charles IV. Their colour attracted your attention and they made a bit more impression on you. Velázquez was on the left with Las Meninas and everyone was looking at Las Meninas but I used to say “what do people see in it?”.
Grandson of José Prieto, Lead Concierge of the Museo Nacional del Prado during the 1940s, when he was a child he lived with his family in one of the homes belonging to the Museum.
Interview recorded on February 20, 2018
Interview index
8 / 12-
I’ve lived in the Museo del Prado -
Coal for heating the house -
A normal day in 1943 -
Mother and aunt, copyists in the Prado -
My grandfather, the Head Porter -
The fire alarm in the 1940s -
The Museum’s staff under Sotomayor -
Colourful Goya -
The Paseo del Prado with no cars -
My grandfather retired and the family split up -
Story-telling around the dining table -
Who does the Prado belong to?
Concierge
María Merino Cabrera
Clerical Support, 1977-2004