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Mother and aunt, copyists in the Prado
José Torreblanca Prieto, Grandson of José Prieto, Lead Concierge, 1936-1948Mother and aunt, copyists in the Prado
José Torreblanca Prieto, Grandson of José Prieto, Lead Concierge, 1936-1948
They were migrants from Jaén. My mother must have done some course or other at the Fine Arts School, a very low grade one, but she had talent. My aunt Teresa certainly could paint, and she even made money from it. By the time she married she’d already done a lot of paintings and had a dowry from selling them, I don’t know how exactly. My mother did it as a hobby because she didn’t have any other work or other ambitions, just being a housewife, and as she liked to paint she ended up painting in the Museum, doing copies. My aunt took it all more professionally and produced a large body of work. She died not long ago, she lived to be around 100 and her house was full of paintings from the Museum. You went in and it was surprising the number of paintings there were.
Grandson of José Prieto, Lead Concierge of the Museo Nacional del Prado during the 1940s, when he was a child he lived with his family in one of the homes belonging to the Museum.
Interview recorded on February 20, 2018
Interview index
4 / 12-
I’ve lived in the Museo del Prado -
Coal for heating the house -
A normal day in 1943 -
Mother and aunt, copyists in the Prado -
My grandfather, the Head Porter -
The fire alarm in the 1940s -
The Museum’s staff under Sotomayor -
Colourful Goya -
The Paseo del Prado with no cars -
My grandfather retired and the family split up -
Story-telling around the dining table -
Who does the Prado belong to?
- Included in themes
- The trade of copyist
- Collective
- Concierge
- RDF
- RDF
Concierge
María Merino Cabrera
Clerical Support, 1977-2004