In 136 A.D., two years before his death, Emperor Hadrian had the previous realism of his portraits replaced with an idealized image of him as a young hero. Gold coins with this portrait, minted during his last years as emperor, indicate that he was probably represented as New Romulus. The bust was added in the sixteenth-century.
Hübner, Emil, Die Antiken Bildwerke in Madrid, Druck Und Verlag Von Georg Reimer, Berlín, 1862, pp. 130.
Barrón, Eduardo, Catálogo de la escultura. Museo Nacional de Pintura y Escultura., Imprenta y fototipia J. Lacoste, Madrid, 1908, pp. 138, n.176.
Ricard, Robert, Marbres Antiques du Musee du Prado a Madrid, Feret & Fils, Burdeos, 1923, pp. 94.
Blanco, Antonio, Catálogo de la escultura, Museo Nacional del Prado, Madrid, 1957, pp. 146.
Blanco, Antonio; Lorente, Manuel, Catálogo de la escultura. Museo del Prado, Patronato Nacional de Museos, Madrid, 1981, pp. nº176.
Albertson, Fred C, A portrait of Hadrian as Diomedes, Muse, 27 -28, 1993-1994, pp. 10-29 [f.8 p15].
Schröder, Stephan F., Catálogo de la escultura clásica: Museo del Prado, I, Museo Nacional del Prado, Madrid, 1993, pp. 196-199.
Schröder, Stephan F., Hadrian als neuer Romulus? Zum letzten porträt kaiser Hadrians, Madrider Mitteilungen, DAI, 1995, pp. 291-297.
Museo Nacional del Prado, Escultura clásica: guía, Fundación Marcelino Botín; Museo del Prado, Santander, 1999, pp. 157.
Opper, Thorsten, Hadrian : empire and conflict, The British Museum, Londres, 2008.
176
Inscribed in black.
Plinth
Hadrian: Empire and Conflict
Londres
24.07.2008 - 26.10.2008
Room 071 (On Display)
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