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Portrait of a Trinitarian Father
Follower of El Greco (Domenikos Theotokopoulos)
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Follower of El Greco (Domenikos Theotokopoulos)

Candia, Crete (Greece), 1541 - Toledo (Spain), 1614

El Greco (Domenikos Theotokopoulos) See author's file

Portrait of a Trinitarian Father

1600 - 1650. Oil on canvas.
Not on display

The head of a young man wearing white sackcloth under a black cape -the colors of both Trinitarian and Dominican habits- his thin face and raw cheeks are presented in a three-quarters view, with an intense frontal lighting that emphasizes them against the dark brown background. His light, almond-shaped eyes are topped by arched eyebrows on a wide, bare forehead and short, thinning hair with a touch of gray. His thin sideburns are accompanied by the beginnings of a mustache and goatee. In 1902, this portrait was part of the first monographic exhibition dedicated to El Greco, since then, the model has been identified as friar Juan Bautista Maíno. That painter from Pastrana who joined the Dominican order in 1613 after returning from a long stay in Italy, has erroneously been considered a disciple of El Greco by some authors. The idea that this portrait is by El Greco would thus require it to be one of his late works, and that proposal has generally been maintained, although with significant nuances. Despite the fact that the identification of the model as Maíno has been accepted in some quarters, there do not seem to be sufficient elements to support it. Cossío rejected it, as he considered the friar a Trinitarian. The painting is resolved in a manner similar to El Greco’s late works, with a vibrant modulation of ochers, grays and oranges that vividly shape the figure’s face, but a careful study of his head reveals the differences between it and works by the master’s hand. The right side of the face is profiled with a thin, dark line which could resemble the black contours that El Greco used to determine the placement of his figures. The master applied those contours directly over the priming, the characteristic reddish chestnut color that emerges in all his works, especially in the background and in areas of clothing. But in the present portrait, the line is not used to determine placement at the beginning of the pictorial process. Instead, it is an imitation applied to the painted surface, over the ocher flesh tones. It is gray, rather than intensely black like El Greco’s, and it is quite blurry, lacking the forceful resolution visible in the master’s portraits. Equally unconvincing are the small red brushstrokes on the model’s ear. In El Greco, those finishing touches were applied over the ochers and pinks to specify and shape certain areas of the face, as can be seen in his Portrait of a Gentleman (P810). Here, they seem to be yet another simulation of the technique employed by the master and his workshop (Text drawn from Ruiz, L.: El Greco en el Museo Nacional del Prado. Catálogo razonado, Museo Nacional del Prado, 2007, pp. 257-258).


Technical data

Related artworks

Retrato de un fraile trinitario
Phototype on card, After 1905
Hauser y Menet
Inventory number
Follower of El Greco (Domenikos Theotokopoulos)
Portrait of a Trinitarian Father
1600 - 1650
Height: 35 cm; Width: 26 cm
Rosario Convent, Madrid, 1813;Bequest of Pablo Bosch y Barrau, 1916.

Bibliography +

Meier Graaje, Julius, Dos Barock Grecos, Redaction Karl Scheffler, 1, 1900, pp. 97.

Viniegra, Salvador, Catálogo ilustrado de la exposición de las obras de Domenico Theotocopuli llamado 'El Greco', J. Lacoste, Madrid, 1902, pp. 22 n.15.

Cossío, Manuel B.1857-1935, El Greco, Victoriano Suárez, Madrid, 1908, pp. 438-439 n.93.

Calvert, Albert F. Hartley, C. Gasquoine, El Greco. An account of his life and works, John Lane, Londres Nueva York, 1909, pp. Lám.26.


Museo Nacional del Prado, Catálogo provisional de las obras de arte legadas al Museo del Prado por D. Pablo Bosch, Tipográfica artística, Madrid, 1916, pp. nº 12.

Mayer, A. L., Domenico Theotocopuli, El Greco, Munich, 1926, pp. n.348.

Prieto, L., Juan Bautista Maino, fraile y pintor., Cuadernos de la Facultad de Filosofia y Letras, 1936, pp. 51.

Legendre, M. Hartmann, A, Domenico Theotocopouli dit el Greco, Hyperion, Paris, 1937, pp. 52.

Noul, M., Sotomayor, F., Muguruza, P., Les chefs-d'oeuvre du Musée du Prado, Musée d'Art et d'Histoire, Ginebra, 1939.

Noul, M., Sotomayor, F., Muguruza, P., Les chefs-d'oeuvre du Musée du Prado, Musée d'Art et d'Histoire, Ginebra, 1939, pp. n.50.

Goldscheider, Ludwig, El Greco, Phaidon, Paris, 1949, pp. fg.145.

Camón Aznar, José, Dominico Greco, II, Espasa-Calpe, Madrid, 1950, pp. 1142 n.753.

Soehner, Halldor, Greco in Spainien. Teil II. Atelier und Nachfolge Greco's; Teil III katalog der Gëmalde Grecos, seines ateliers und seiner Nachfolge in Spanischem besitz, Münchner jahrbuch der bildenden Kunst, IX-X, 1958-1959, pp. 147-242 [101].

Sánchez Cantón, Francisco Javier (1891-1971)), El Greco., Silvana, Milan, 1961.

Wethey, Harold, El Greco y su escuela, Guadarrama, Madrid, 1967.

Wethey, Harold, El Greco y su escuela, II, Guadarrama, Madrid, 1967, pp. 104 n.138.

Camón Aznar, José, Dominico Greco, II, Espasa-Calpe, Madrid, 1970, pp. 1135 n.745.

Salas, Xavier de, La obra pictórica completa de el Greco, Noguer, Barcelona Madrid, 1970, pp. n.140.

Pietro, L.Di, El Greco, Editorial Marin, Barcelona, 1979, pp. 60.

Cossío, Manuel B., El Greco, Espasa-Calpe, Madrid, 1981.

Pita Andrade, José Manuel, El Greco, Arnoldo Mondadori, Milán, 1981, pp. n.87.

Pujana, Juan, Identificación de un personaje retratado por el Greco en un cuadro del Museo del Prado. San Juan Bautista de la Concepción., BOLETIN DEL MUSEO E INSTITUTO 'CAMON AZNAR', 13, 1983, pp. 5-16.

Museo Nacional del Prado, Catálogo de las pinturas, Museo del Prado, Madrid, 1985, pp. 317-318.

Álvarez Lopera, José, El Greco: la obra esencial, Silex, Madrid, 1993, pp. n.253.

Boitani, Maria Consuelo, Juan Bautista Maino, Fratelli Palombi Editori, 1995, pp. 312/ lám.111.

Museo Nacional del Prado, Museo del Prado. Inventario general de pinturas (III). Nuevas Adquisiciones. Museo Iconográfico. Tapices., Museo del Prado, Espasa Calpe, Madrid, 1996.

Marías, Fernando, El Greco . Guía, Alianza Editorial - Fundación Amigos del Museo del Prado, Madrid, 1998, pp. 52.

Museo Nacional del Prado, El Greco y la pintura española del Renacimiento: guía, Museo del Prado, Aldeasa, Madrid, 2001, pp. 144.

Alvarez Lopera, José, El Greco en las colecciones reales. Los retratos del Museo del Prado en EL GRECO, GALAXIA GUTENBERG, Madrid, 2003, pp. 175-215 [176].

Ruiz Gómez, Leticia, El Greco en el Museo Nacional del Prado: catálogo razonado, Museo Nacional del Prado, Madrid, 2007, pp. 257-260.

Picasso ''versus'' Rusiñol : Barcelona, Museo Picasso : 27 de..., Institut de Cultura, 2010, pp. 211.

Marías, Fernando, El Greco. Historia de un pintor extravagante, Nerea, Donostia, 2013, pp. 200.

Other inventories +

Catálogo Museo del Prado, 1933. Núm. 13.

Catálogo Museo del Prado, 1942-1996. Núm. 2644.

Inv. Nuevas Adquisiciones (iniciado en 1856). Núm. 1392.
1392 / Autor = Domenico Theotocopuli (El Greco) / Asunto = Retrato de un fraile. (lienzo) / Dimensiones = Alto = 0,35 ancho = 0,26

Inscriptions +

Inscribed in blue. Front, lower left corner

Exhibitions +

Máscaras - Schommer
22.07.2014 - 14.09.2014

27.05.2010 - 05.09.2010

El Greco in the Prado
04.12.2007 - 17.02.2008

Update date: 09-04-2022 | Registry created on 28-04-2015

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