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02-06-2026
Antonio María Esquivel

Sevilla (Spain), 1806 - Madrid (Spain), 1857

Antonio María Esquivel See author's file

Self-portrait

Ca. 1856. Oil on canvas.
Room 062A

The Sevillian master depicts himself in a bust portrait against a neutral background. He wears a simple frock coat with a velvet collar and bow tie. Together with his abundant, somewhat tousled hair and his characteristic moustache and goatee, his features already show signs of aging, as he appears to be in his fifties. His figure, which is slightly drawn from the bottom upwards, the slightly frowning brow and the seriousness of his expression give his countenance a rather proud and distant expression.

Esquivel´s work is truly unique in Spanish painting of the first half of the 19th century. From his youth, the Sevillian artist demonstrated a real obsession with his own image, producing a large number of self-portraits throughout his career. This is the best and most honest of them all. It is also his last known self-portrait.

Artistas pintados: retratos de pintores y escultores del siglo XIX en el Museo del Prado, Madrid, Ministerio de Educación y Cultura, Dirección General de Bellas Artes y Bienes Culturales, 1997, p.82,83

Multimedia

Technical data

Imagen del carrusel
Imagen del carrusel
Inventory number
P004297
Author
Antonio María Esquivel
Title
Self-portrait
Date
Ca. 1856
Technique
Oil
Support
Canvas
Dimension
Width: 44 cm; Height: 55 cm
Provenance
Bequest of Vicente María Esquivel for the Museo de Arte Moderno, 1903
Entry date
1971

Bibliography +

De la Puente, Joaquín, Casón del Buen Retiro. Catálogo de las pinturas del siglo XIX, Ministerio de Cultura, Madrid, 1985, pp. 71.

Artistas pintados: retratos de pintores y escultores del siglo XIX en el Museo del Prado, Ministerio de Educación y Cultura, Dirección General de Bellas Artes y Bienes Culturales, Madrid, 1997, pp. 82,83.

Díez, José Luis (dir.), Pintura del Siglo XIX en el Museo del Prado: catálogo general, Museo Nacional del Prado, Madrid, 2015, pp. 175.

Pérez Sánchez, Aránzazu, La construcción de la imagen romántica del artista: Antonio Maria Esquivel, el pintor salvado, Anales de historia del arte, 33, 2023, pp. 97-116 [110 fg.6].

Other inventories +

Registros-Inventarios Museo Nacional de Arte Moderno, 1900-1936. Núm. 46 (E).

Inv. Museo Arte Moderno, 1954. Núm. 147.

Actas traslado de obras MEAC - Prado, 1971-1973. Núm. 133.

Inscriptions +

MAM-46-(E)
Inscribed in orange. Front, lower right corner

Exhibitions +

Antonio María Esquivel (1806-1857), his religious paintings
Madrid
09.07.2018 - 21.04.2019

Artistas pintados: Retratos de pintores y escultores del siglo XIX
México D.F.
23.04.1998 - 22.06.1998

Artistas pintados: Retratos de pintores y escultores del siglo XIX
Logroño
10.01.1998 - 02.02.1998

Artistas pintados: Retratos de pintores y escultores del siglo XIX
Valencia
13.11.1997 - 06.01.1998

Artistas pintados: Retratos de pintores y escultores del siglo XIX
Valladolid
09.09.1997 - 12.10.1997

Artistas pintados: Retratos de pintores y escultores del siglo XIX
Gijón
25.07.1997 - 03.09.1997

Artistas pintados: Retratos de pintores y escultores del siglo XIX
La Coruña
12.07.1997 - 20.07.1997

Artistas pintados: Retratos de pintores y escultores del siglo XIX
Santander
08.05.1997 - 03.06.1997

Artistas pintados: Retratos de pintores y escultores del siglo XIX
Madrid
12.03.1997 - 17.04.1997

Location +

Room 062A (On Display)

Expuesto
Update date: 02-06-2026 | Registry created on 28-04-2015

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