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Something Untouchable
Rafael Alonso Alonso, Restorer, 1978-2016Something Untouchable
Rafael Alonso Alonso, Restorer, 1978-2016
My name is Rafael Alonso. I worked at the Restoration Workshop at the Museo del Prado for around forty years. When I joined the Museum, I already knew it because I’d visited it many times. I’d always found it interesting, ever since I was a Fine Arts student. First, I studied painting, then restoration, which meant that I spent nine years in all studying at the Faculty.
What I found most impressive was turning up at eight in the morning when the Museum was empty and the cleaning ladies were going round with their mops, which was how the hall floors were cleaned at that time, like at the roundabout of Carlos V. On the one hand, I was impressed by the loneliness of the Museum and, on the other, it was extraordinary to be there on my own in front of those works of art, which seemed distant and unattainable, given that they constituted a complete point of reference within the history of art. And, above all, the feeling you had when you entered the workshop and those very works fell into your hands. I mean, those works that you admired as something untouchable, perfect and marvellous … you now had the responsibility of working on them in order to guarantee their preservation and recover their beauty.
He works at the Restoration Workshop of the Museo del Prado, specializing in the works of El Greco. He is also Professor of Restoration at the Official School of Applied Arts in Madrid, and he received the National Prize for Conservation and Restoration of Cultural Goods in 2010.
Interview recorded on April 19, 2018
Interview index
1 / 18-
Something Untouchable -
1978: My Arrival at the Workshop -
The Essence of Restoration and Former Criteria -
The Legacy of Former Restorers -
The Creation of a Young Workshop -
John Brealey’s Visit -
The Beginning of a Great Friendship -
John Brealey’s Recognition -
Mutual Enrichment -
John Brealey’s Legacy -
José Manso: A Very Important Figure in the Workshop -
Collaboration in Order to Further Our Knowledge -
Alfonso Emilio Pérez Sánchez: Commitment and Love for the Museum -
A Tremendous Pair: Pérez Sánchez and Manuela Mena -
Miquel Barceló and Restoration -
A Copernican Revolution -
“I’m Still Learning”: A Reflection on the Profession -
The Tranquillity of a Mission Accomplished
- Collective
- Restoration
- RDF
- RDF
Restoration
José Manso Gómez
Textile and Panel Painting Conservator, 1953-1992
María Teresa Dávila Álvarez
Restorer, 1982-2013
Rocío Dávila Álvarez
Restorer, 1974-2015