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My father worked at the Prado Museum
José Manso Gómez, Textile and Panel Painting Conservator, 1953-1992My father worked at the Prado Museum
José Manso Gómez, Textile and Panel Painting Conservator, 1953-1992
I lived at Noviciado 18 and my father used to work at the Prado Museum. He was there as the main doorman and also as the deputy concierge.
During the Civil War my father assisted in taking works out from the Museum as well as gold ingots. Nobody knew where they came from but they were being sent abroad and my father loaded them onto trucks. Surely they must have come from the Bank of Spain. Then we were sent to the north of France, to a place where they had stables from World War I. There on a haystack was where we slept and ate every day. Eventually we came back to Spain without any problems for returning—not even my father.
Since Sotomayor already knew him, he put him back at his previous post, at the ticket office. At the time one of his colleagues reported on my father and he stood trial. Luckily he got away because my grandfather had paid for the judge's studies. My father didn't get sent to a firing squad because that man was there, and he knew my dad's father and mother, my grandmother and grandfather.
He began to work at the Museum as a carpenter and later, after a while as a gallery attendant, he joined the restoration workshop, carrying out carpentry work which was his specialty. His father also worked at the Museo Nacional del Prado and helped evacuate works of art during the Spanish Civil War.
Interview recorded on February 11, 2015
Interview index
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My father worked at the Prado Museum -
My initiation in woodwork -
Sotomayor proposed that I work in the halls and Sánchez Cantón transferred me to the atelier -
Fernando Álvarez de Sotomayor -
A treasure within a cabinet from Cuba -
1946. placement of a large work by Vicente López on the ceiling -
1961. An attempted robbery -
1994. The Holy Familiy by Sebastiano del Piombo, from the Cathedral of Burgos -
1974. The Portrait of Carmen Martínez-Bordiú, by Salvador Dalí -
Working as a joiner and restitching canvases -
Wooden support. Doing things my way -
Works have a life of their own and they look at you -
The impact of El Greco -
A lot of life in the work done, eight years at the atelier -
Visiting the Museum, before and after
- Included in themes
- A crucial chapter: The Spanish Civil War
- Collective
- Restoration
- Chronology
- 1930-1940
- RDF
- RDF
Restoration
Rocío Dávila Álvarez
Restorer, 1974-2015
Rafael Alonso Alonso
Restorer, 1978-2016
María Teresa Dávila Álvarez
Restorer, 1982-2013