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Working as a joiner and restitching canvases
José Manso Gómez, Textile and Panel Painting Conservator, 1953-1992Working as a joiner and restitching canvases
José Manso Gómez, Textile and Panel Painting Conservator, 1953-1992
I've done many things at the Prado Museum. There are many works of mine there. I worked in the carpentry department, restoring furniture. For instance the armchairs they had at the Museum, fine things they were, which had been brought from Parliament when it was being refurbished. They brought the armchairs from Parliament and we restored them for the Museum. I'm not sure if any of them are out in the halls. They were made of mahogany.
Pedestals for the sculptures. There is a wooden sculpture that is quite high, which I fastened with a stand to which I attached a rattle, to make sure nobody threw it away.
I also got help from the restoring team. Among these were Tomás Pérez Alférez and Pablo López Valdiavero. Pablo is the one who restitched The Family of Charles IV. I helped him out a bit with that one. He said he would teach me, and teach me he did. Then I did a good deal of restitching canvases on my own. I did quite a few. I'm not sure about the number but I figure I must have restitched around forty canvases in the Museum.
When you do this type of work, you really don't know how it's ended up until you see it the day after, because when you're in the midst of the process you realize that things can go wrong. And the next day, when you see that everything is all right, it's a relief, but never before then. When the work required two days it was even worse.
He began to work at the Museum as a carpenter and later, after a while as a gallery attendant, he joined the restoration workshop, carrying out carpentry work which was his specialty. His father also worked at the Museo Nacional del Prado and helped evacuate works of art during the Spanish Civil War.
Interview recorded on February 11, 2015
Interview index
10 / 15-
My father worked at the Prado Museum -
My initiation in woodwork -
Sotomayor proposed that I work in the halls and Sánchez Cantón transferred me to the atelier -
Fernando Álvarez de Sotomayor -
A treasure within a cabinet from Cuba -
1946. placement of a large work by Vicente López on the ceiling -
1961. An attempted robbery -
1994. The Holy Familiy by Sebastiano del Piombo, from the Cathedral of Burgos -
1974. The Portrait of Carmen Martínez-Bordiú, by Salvador Dalí -
Working as a joiner and restitching canvases -
Wooden support. Doing things my way -
Works have a life of their own and they look at you -
The impact of El Greco -
A lot of life in the work done, eight years at the atelier -
Visiting the Museum, before and after
- Collective
- Restoration
- RDF
- RDF
Restoration
Rafael Alonso Alonso
Restorer, 1978-2016
María Teresa Dávila Álvarez
Restorer, 1982-2013
Rocío Dávila Álvarez
Restorer, 1974-2015