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Voces del Prado

Full interview

Visiting the Museum, before and after

José Manso Gómez, Textile and Panel Painting Conservator, 1953-1992
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Visiting the Museum, before and after

José Manso Gómez, Textile and Panel Painting Conservator, 1953-1992

I've learned to see many important things in painting. I did not study painting, but there are things you can see. You've got to focus on what is painted there. You can't see it all in one day. If you want to get a good view, choose two or three paintings at the most. You've got to sit down and notice the details in each painting. You may notice something while I'll focus on something else. It's all completely different. Nobody can be bored in the Museum. The moment you come in, you're hooked, and that's the end of the story. It's a fact. The day I left the Museum, I fell apart.

He began to work at the Museum as a carpenter and later, after a while as a gallery attendant, he joined the restoration workshop, carrying out carpentry work which was his specialty. His father also worked at the Museo Nacional del Prado and helped evacuate works of art during the Spanish Civil War.

Interview recorded on February 11, 2015

Interview index

15 / 15
  1. My father worked at the Prado Museum
    My father worked at the Prado Museum
  2. My initiation in woodwork
    My initiation in woodwork
  3. Sotomayor proposed that I work in the halls and Sánchez Cantón transferred me to the atelier
    Sotomayor proposed that I work in the halls and Sánchez Cantón transferred me to the atelier
  4. Fernando Álvarez de Sotomayor
    Fernando Álvarez de Sotomayor
  5. A treasure within a cabinet from Cuba
    A treasure within a cabinet from Cuba
  6. 1946. placement of a large work by Vicente López on the ceiling
    1946. placement of a large work by Vicente López on the ceiling
  7. 1961. An attempted robbery
    1961. An attempted robbery
  8. 1994. <em>The Holy Familiy</em> by Sebastiano del Piombo, from the Cathedral of Burgos
    1994. The Holy Familiy by Sebastiano del Piombo, from the Cathedral of Burgos
  9. 1974. <em>The Portrait of Carmen Martínez-Bordiú</em>, by Salvador Dalí
    1974. The Portrait of Carmen Martínez-Bordiú, by Salvador Dalí
  10. Working as a joiner and restitching canvases
    Working as a joiner and restitching canvases
  11. Wooden support. Doing things my way
    Wooden support. Doing things my way
  12. Works have a life of their own and they look at you
    Works have a life of their own and they look at you
  13. The impact of El Greco
    The impact of El Greco
  14. A lot of life in the work done, eight years at the atelier
    A lot of life in the work done, eight years at the atelier
  15. Visiting the Museum, before and after
    Visiting the Museum, before and after
Included in themes
The Museum leaves its mark
Collective
Restoration
RDF
RDF
Collective

Restoration

1974: The First Female Art Restorers

Rocío Dávila Álvarez

 Restorer, 1974-2015
Something Untouchable

Rafael Alonso Alonso

 Restorer, 1978-2016
1985. From the Metropolitan to the Prado

George Bisacca

 Restorer, 1985-What's on
Artistic Sensibility and Cultural Wealth

María Teresa Dávila Álvarez

 Restorer, 1982-2013
Theme

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Voces del Prado

Inside the Museum in more than 30 interviews

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