Loading...
Artistic Sensibility and Cultural Wealth
María Teresa Dávila Álvarez, Restorer, 1982-2013Artistic Sensibility and Cultural Wealth
María Teresa Dávila Álvarez, Restorer, 1982-2013
My name is María Teresa Dávila. I started working at the Museum in 1979, and I retired three years ago. In my family they imbued us with a great artistic sensibility from a very young age. Later on I went to a British school and, although we were quite modern in that respect, we had a Protestant reverend, a Catholic priest and those who followed the Jewish religion. So I grew up in a very cultural environment.
In a newspaper we read an article about the creation of this school, and a series of new art studies. So we came to the Casón to find out about it. And that’s how we did it. We had a certain manual facility and an artistic sensibility. We thought it was beautiful and we both did it at the same time.
She works as a restorer at the Museo del Prado, participating in major projects such as the restoration of Las Meninas in 1984, directed by John Brealey (from the Metropolitan Museum of Art) and the restoration of the Adam and Eve panels by Dürer.
Interview recorded on November 29, 2017
Interview index
1 / 16-
Artistic Sensibility and Cultural Wealth -
The First Graduates of the Restoration School -
Early Working Years -
The Restoration of Philip IV As a Hunter by Velázquez -
We Restored Practically the Entire Velázquez Collection -
Working with My Sister -
The Key: Observation of the Work and Teamwork -
A Joint Endeavour -
The Restoration of the Watteau Works -
The Genius of the Great Masters -
Don’t Touch Me with Despondency -
Dürer vs. Bosch -
A Tremendous Change in My Life -
I’ve Had the Great Masters in My Hands -
Going to Visit My Works -
Love for My Work
- Collective
- Restoration
- Chronology
- 1970-1980
- RDF
- RDF
Restoration
Rafael Alonso Alonso
Restorer, 1978-2016
José Manso Gómez
Textile and Panel Painting Conservator, 1953-1992
Rocío Dávila Álvarez
Restorer, 1974-2015