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Dürer vs. Bosch
María Teresa Dávila Álvarez, Restorer, 1982-2013Dürer vs. Bosch
María Teresa Dávila Álvarez, Restorer, 1982-2013
Dürer and Bosch are contradictory. Dürer is all delicacy. He is extremely delicate, having constructed his paintings with a facility that is impossible to divine, to the point where it seems almost impossible to believe that any human being might be able to create such a precious gem with such simple materials. It’s a glaze, but it’s convincing and expressive at the same time. And layer by layer, glaze by glaze he creates figures that are extremely expressive, based on a very German sentiment.
Bosch has another way of constructing, one in which he appears to be fighting between two worlds. It’s a ‘yes’, but also a ‘no’. It’s a mixed technique: it’s like tempera, but it’s also like oil.
She works as a restorer at the Museo del Prado, participating in major projects such as the restoration of Las Meninas in 1984, directed by John Brealey (from the Metropolitan Museum of Art) and the restoration of the Adam and Eve panels by Dürer.
Interview recorded on November 29, 2017
Interview index
12 / 16-
Artistic Sensibility and Cultural Wealth -
The First Graduates of the Restoration School -
Early Working Years -
The Restoration of Philip IV As a Hunter by Velázquez -
We Restored Practically the Entire Velázquez Collection -
Working with My Sister -
The Key: Observation of the Work and Teamwork -
A Joint Endeavour -
The Restoration of the Watteau Works -
The Genius of the Great Masters -
Don’t Touch Me with Despondency -
Dürer vs. Bosch -
A Tremendous Change in My Life -
I’ve Had the Great Masters in My Hands -
Going to Visit My Works -
Love for My Work
- Collective
- Restoration
- RDF
- RDF
Restoration
Rafael Alonso Alonso
Restorer, 1978-2016
José Manso Gómez
Textile and Panel Painting Conservator, 1953-1992
Rocío Dávila Álvarez
Restorer, 1974-2015