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The Restoration of the Watteau Works
María Teresa Dávila Álvarez, Restorer, 1982-2013The Restoration of the Watteau Works
María Teresa Dávila Álvarez, Restorer, 1982-2013
Manuela Mena gave me a great deal of support. She liked restoration and we connected very well on a professional level. For example, when we restored the Watteau paintings, she made it possible for us to go to the laboratory, to the workshops in Paris. There we were able to see how they restored them, the criteria they applied and all the resources they had at their disposal. We were able to resolve questions and study the materials and see how they’d been employed, how they’d behaved over time and whether they had altered. And we could witness the method that had been followed so that the works were left in the best possible condition.
She works as a restorer at the Museo del Prado, participating in major projects such as the restoration of Las Meninas in 1984, directed by John Brealey (from the Metropolitan Museum of Art) and the restoration of the Adam and Eve panels by Dürer.
Interview recorded on November 29, 2017
Interview index
9 / 16-
Artistic Sensibility and Cultural Wealth -
The First Graduates of the Restoration School -
Early Working Years -
The Restoration of Philip IV As a Hunter by Velázquez -
We Restored Practically the Entire Velázquez Collection -
Working with My Sister -
The Key: Observation of the Work and Teamwork -
A Joint Endeavour -
The Restoration of the Watteau Works -
The Genius of the Great Masters -
Don’t Touch Me with Despondency -
Dürer vs. Bosch -
A Tremendous Change in My Life -
I’ve Had the Great Masters in My Hands -
Going to Visit My Works -
Love for My Work
- Collective
- Restoration
- RDF
- RDF
Restoration
Rafael Alonso Alonso
Restorer, 1978-2016
José Manso Gómez
Textile and Panel Painting Conservator, 1953-1992
Rocío Dávila Álvarez
Restorer, 1974-2015