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20-05-2026
Roman workshop

Ancient Rome (Italy)

See author's file

Portrait of a Cultured Greek

Ca. 220. White marble.
Not on display

This work has been so retouched that it is difficult to determine whether it is a copy of the portrait of a Greek whose facial features (but not his expression) somewhat recall Polyeuktos´s sculpture of Demosthenes, or instead a highly restored modern work. The nose, ears and herm-shaped bust are certainly modern. This work appears in the Ajello sketchbook (drawing 50, at the bottom) as Hippocrates, and in the El Carpio Album as Posidonius. It passed from the Marquis of El Carpio´s collection to the House of Alba, and from there to Philip V´s collection at the La Granja de San Ildefonso Palace.

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Inventory number
E000007
Author
Roman workshop
Title
Portrait of a Cultured Greek
Date
Ca. 220
Technique
Sculpted
Medium
White marble
Dimension
Height: 47 cm; Depth: 25 cm; Width: 35 cm
Series
Colección Felipe V
Colección marqués del Carpio
Provenance
Royal Collection

Bibliography +

Hübner, Emil, Die Antiken Bildwerke in Madrid, Druck Und Verlag Von Georg Reimer, Berlín, 1862, pp. 133, n.º 254.

Barrón, Eduardo, Catálogo de la escultura. Museo Nacional de Pintura y Escultura, Imprenta y fototipia J. Lacoste, Madrid, 1908, pp. 29, n.º 7.

Ricard, Robert, Marbres Antiques du Musée du Prado à Madrid, Féret & Fils, Burdeos, 1923, pp. 93.

Hekler, A, Philosophen- und Gelehrtenbildnisse der mittleren Kaiserzeit, Die Antike. Zeitschrift für Kunst und Kultur des Klassischen Altertums, 16, 1940, pp. 115 ss.

Tormo y Monzó, Elías, Museo del Prado. Catálogo de las esculturas I. La Sala de las Musas, Hauser y Menet, Madrid, 1949, pp. 25.

Blanco Freijeiro, Antonio, Catálogo de la escultura. Museo del Prado, Museo Nacional del Prado, Madrid, 1957, pp. 18.

Richter, G, The Portraits of the Greeks, II, Oxford: The Phaidon Press, London, 1965, pp. 208 ss., fig. 1346 s..

Lattanzi, Elena, I ritratti dei cosmeti nel Museo nazionale di Atene, L'Erma di Bretschneider, Roma, 1968.

L'Orange, Hans Peter, The origin of medieval portraiture, Odense University Press, Odense, 1973, pp. 91 ss.

Bergmann, Marianne, Studien zum römischen Porträt des 3. Jahrhunderts nach Christus, R. Habelt, Bonn, 1977.

Blanco, Antonio; Lorente, Manuel, Catálogo de la escultura. Museo del Prado (2ª ed.), Patronato Nacional de Museos, Madrid, 1981, pp. nº7.

Hafner, G, Alkibiades und Nikias, Madrider Mitteilungen, 25, 1984, pp. lám. 7c.

Giuliani, Luca, Forschungen zur Villa Albani: catalog der antiken bildwerke II, bildwerke in den portiken, dem vestibül und der kapelle des casino / editado por Peter C. Bol, Schriften des Liebieghauses, Mann, Berlin, 1989, pp. 216 s., n.º 70, láms. 120-121.

Pozzi, E. (ed.), Catalogo Le Collezioni del Museo Nazionale di Napoli, Museo Nazionale di Napoli, Nápoles, 1989, pp. 168 s., n.º 99.

Schröder, Stephan F., Catálogo de la escultura clásica: Museo del Prado I, Museo Nacional del Prado, Madrid, 1993, pp. 264-267.

Elvira Barba, Miguel Ángel, El Cuaderno de Ajello y las esculturas del Museo del Prado, Museo del Prado, Madrid, 1998, pp. nº50.

Other inventories +

Inv. Real Museo, Sección Escultura, 1857. Núm. 45.
45. Cabeza de marmol griego y del tamaño natural. / Alto 1 pie, 8 pulg.

Inscriptions +

X [en el hombro izquierdo]
Cross of Burgundy or Cross of Saint Andrew, collection’s mark belonged to King Felipe V. Inscription on shoulder

7.
Inscribed in black. On the front

Exhibitions +

El cuaderno de Ajello y las esculturas del Museo del Prado
Madrid
19.10.1998 - 03.01.1999

Update date: 20-05-2026 | Registry created on 28-04-2015

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