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Innocent X by Velázquez
Inmaculada Echeverría Elvira, Head of the Technical Documentation and Laboratory Section, 1985-2024Innocent X by Velázquez
Inmaculada Echeverría Elvira, Head of the Technical Documentation and Laboratory Section, 1985-2024
It was a tremendous opportunity to be able to see Innocent X by Velázquez, being able to contemplate it in person. They placed it in a very significant area, in the hall where Arianne is displayed. We adapted the lighting to that of the place where it was painted. In those days we used a rheostat to grade the lighting and the impression we achieved was that of candlelight. I would say that my favourite painter is Velázquez. I remember the look of that individual, it makes you wonder, "What was this Pope like, caught then and there by the painter, with a look of pride, so overbearing, haughty and penetrating..." Perhaps I regard it in such a special manner because it is unreachable, because we do not have it here.
Member of the Technical Office, she began her work at the Museum thanks to a grant to study and analyze the works of El Greco.
Interview recorded on May 08, 2018
Interview index
7 / 14-
Large works didn't fit -
Analysing the Guernica -
Comprehensive knowledge as opposed to specialization -
Velázquez for the second time -
Dialogue is of the essence -
Nostalgia of a hall -
Innocent X by Velázquez -
Counterfeits -
The directors -
The concierges, very respectful people -
My friendship with the Art Handler team -
Remembrance of times past -
The privilege of working here -
A way in the world
- Included in themes
- Historical exhibitions
- Collective
- Technical Documentation
- Chronology
- 1990-2000
- RDF
- RDF
Technical Documentation