Loyalty
1815 - 1819. Etching, Aquatint, Burnisher on wove paper.Not on display
Disparates, 17, Loyalty.
Loading...
02-06-2026
Francisco de Goya y Lucientes
See author's file
Fuendetodos, Zaragoza (Spain), 1746 - Bordeaux (France), 1828
See author's file
Not on display
Multimedia
Video
Goya’s Black Paintings
Video
Sade and Goya: Sovereign Imagination and Critical Imagination. Georges Didi-Huberman (Original Version)
Video
Reopening of the Goya cartoon galleries and the 18th Century Spanish painting galleries
Video
The exhibition Spanish Drawings from the Hamburger Kunsthalle: Cano, Murillo and Goya
Video
The exhibition Rome in your pocket. Sketchbooks and artistic learning in the XVIII Century
Video
Commented works: The Witches’ Flight, Francisco de Goya y Lucientes, (1797-1798), by Manuel Borja-Villel
Video
Commented works: Self-portrait, Francisco de Goya y Lucientes, (1796 - 1797), by Juliet Wilson- Bareau
Video
Commented works: The Pradera de San Isidro, Francisco de Goya y Lucientes, (1788), by Enrique Quintana
Video
Concha Jerez: The Third of May 1808 in Madrid: the executions on Principe Pio hill by Goya
Video
Goya and more
Technical data
Related artworks
- Loyalty
- Red wash on laid paper, 1815 - 1819
- Francisco de Goya y Lucientes
- Loyalty
- Etching on wove paper, 1815 - 1819
- Francisco de Goya y Lucientes
- Inventory number
- G002185
- Author
- Francisco de Goya y Lucientes
- Title
- Loyalty
- Date
- 1815 - 1819
- Technique
- Etching; Aquatint; Burnisher
- Support
- Wove paper
- Dimension
- Height: 256 mm; Height of the plate mark: 244 mm; Width: 362 mm; Width of the plate mark: 355 mm
- Series
- Disparates [estampa], 17
- Provenance
- Georges Prôvot, París; venta Prôvot, Hôtel Drouot, París, 10/04/1935; Kunsthandlung Helmut H. Rumbler, Frankfurt; Acquisition for the Prado Museum with funds from the Legacy of the Villaescusa, 1992.
- Entry date
- 1992
Bibliography +
Lefort, Paul, Essai d'un catalogue raisonné de l'oeuvre gravé et litographié de Francisco Goya, Gazette des Beaux-Arts, X, 1868, pp. 165-180.
Lefort, Paul, Francisco Goya: étude biographique et critique suivie de l'essai d'un catalogue raisonné de son oeuvre gravé et lithographié, Librairie Renouard, París:, 1877, pp. nº 140.
Beruete y Moret, Aureliano de, Goya grabador, III, Blass y Cía, Madrid:, 1918, pp. 115-116, nº 201.
Loga, Valerian von, Francisco de Goya, G. Grotesche, Berlin, 1921, pp. nº 698.
Young, Blamire, The Proverbs of Goya, Jonathan Cape, Londres:, 1923, pp. 128-129.
Mayer, August L., Francisco de Goya, Labor, Barcelona, 1925, pp. 279, nº V (698)-17, il. 396.
Wight, F.S., The Revulsions of Goya. Subconscious Communications in the Etchings, The Journal of Aesthetics & Art Criticism, V, 1946, pp. 27.
Camón Aznar, José, Los disparates de Goya y sus dibujos preparatorios, Instituto Amatller de Arte Hispánico, Barcelona, 1951, pp. 83-84, [183-185], nº 17.
Delteil, Loys, Goya. Facsimil 1922, Collectors editions; Da Capo Press, Nueva York, 1969, pp. nº 218.
Gassier, Pierre y Wilson-Bareau, Juliet, Vie et oeuvre de Francisco de Goya: l`oeuvre complet illustré: peintures, dessins, gravures, Office du Livre, Fribourg, 1970, pp. nº 1598.
Sayre, Eleanor, The Changing Image. Prints by Francisco Goya, Museum of Fine Arts, Boston:, 1974, pp. 272-273, nº 223-224.
Gassier, Pierre, Vida y obra de Francisco de Goya: reproducción de su obra completa: pinturas, dibujos y grabados, Juventud, Barcelona, 1974, pp. nº 1598.
Gassier, Pierre, Dibujos de Goya. Estudios para grabados y pinturas, II, Noguer, Barcelona, 1975, pp. 456-457, nº 302.
Holo, Selma Reuben, Goya. Los Disparates, Museum of Art, Washington State University Press, Washington:, 1976, pp. 35.
Hofmann, W., "Disparate quieto", en: Goya. Das Zeitalter der Revolution 1789-1830, Prestel Verlag; Hamburguer Kunsthalle, Munich; Hamburgo, 1980, pp. 206, nº 159-160.
Wilson Bareau, Juliet, Goya's Prints. The Tomás Harris Collection in the British Museum, British Museum Publications, Londres:, 1981, pp. 81, 83, il. 85.
Camón Aznar, José, Francisco de Goya, IV, Caja de Ahorros de Zaragoza, Aragón y Rioja, Zaragoza, 1982, pp. 96 y 98.
Harris, Tomas, Goya. Engravings and lithographs, II, Alan Wofsy Fine Arts, San Francisco:, 1983, pp. 400, nº 264.
Goya: nuevas visiones : homenaje a Enrique Lafuente Ferrari, Amigos del Museo del Prado, Madrid:, 1987, pp. 303-305, il. 7-8.
Vega, Jesusa, Museo del Prado: catálogo de estampas, Museo del Prado, Madrid, 1992, pp. 110, nº 451.
Pérez Sánchez, Alfonso E., "Disparates", en: Goya grabador, Fundación Juan March, Madrid:, 1994, pp. 198-219, [216].
Carrete, J., Matilla, J.M., Aullón de Haro, P., Bozal, V., Glendinning, N. y Vega, J., Disparates, Francisco Goya. Tres visiones, Calcografía Nacional, Real Academia de Bellas Artes de San Fernando, Madrid:, 1996, pp. 111, [190-191], nº 37.
Goya, Electa, Roma:, 2000, pp. 142-143, nº 49.
Calcografía Nacional, Calcografía Nacional. Catálogo general, II, Real Academia de San Fernando, Madrid, 2004, pp. 484, nº 3989.
Driver, A., La lealtad. In the Absence of, Romance Quarterly, 54, 2007, pp. 67-71.
André-Deconchat, S., Assante di Panzillo, M. y Wilson-Bareau, Juliet, "Catalogue", en: Goya graveur, Nicolas Chaudun y Paris musées, París, 2008, pp. 293, nº 202.
Other inventories +
Inv. Nuevas Adquisiciones (iniciado en 1856). Núm. 2298.
Inscriptions +
17
Inscribed.
Front, upper central area
Visor 360
Other works by Francisco de Goya y Lucientes
Print on demand
Print artworks available in our catalogue in high quality and your preferred size and finish.
Image archive
Request artworks available in our catalogue in digital format.