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Tantalo
Goya y Lucientes, Francisco de
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Goya y Lucientes, Francisco de

Fuendetodos, Zaragoza (Spain), 1746 - Bordeaux (France), 1828

Goya y Lucientes, Francisco de See author's file

Tantalo

1797 - 1799. Etching, Burnished aquatint on laid paper.
Not on display

Interpretations of Los Caprichos over the last two centuries have been based on a series of complementary texts associated with the images. These inscriptions on preparatory sketches, annotations on the proofs before lettering, titles engraved on the plates, as well as two advertisements for the sale of the prints, and various manuscript commentaries produced after their sale, are housed at the Museo del Prado and at the Biblioteca Nacional de España (National Library of Spain).The 80 scenes in Los Caprichos are interrelated through several themes, leading to the frequent reiteration of their subject matter. This is the case, for instance, with aspects of society denounced by the leaders of the Enlightenment, such as marriage for money, which they linked to sexual abuse. Several prints allude to the idea of unequal marriage between a woman in her youthful prime and a repugnant old man. In such marriages, the man´s desires took precedence over the wishes of the woman. The victim of imposed circumstances, she was compelled to have relations with a man incapable of satisfying her due to his age. The ninth plate shows precisely the consequences of unsatisfied desire. Without the aid of the complementary texts mentioned above, Goya´s intentions in this work would be opaque. A young woman lies lifeless across the leg of a desperate man, before a pyramidal structure whose purpose is clearly funereal. Nevertheless, the texts supply other interpretive possibilities that suggest the image is a metaphor for female desire. It is desire that is dead, for it had never been alive in the relationship between the two. The man´s face is that of a companion who is too old for the woman whose body evokes the temptation of the flesh with her full breasts, uncovered leg and the diaphanous material of her dress, which draws attention to the attractive outline of her figure.The commentary in the Prado´s manuscript focuses on the defects of the man, who is unable to provoke desire in the woman: Were he a little more handsome and less annoying, she would revive; while the manuscript in the Biblioteca Nacional highlights the inequality and the man´s inability to satisfy his own sexual desires: A good woman alongside an old man who cannot satisfy her has fallen in a swoon, and it is like one who is dying of thirst, who is next to water but cannot bring it to his lips.Tantalus is the personification of unsatisfied temptation. He stole the nectar and ambrosia from the table of Zeus during a meal to which he had been invited, he revealed to humanity the secrets of the gods, and he sought to trick the latter by serving them a banquet of the flesh of his own son. As punishment, he was tortured by Zeus with the impossibility of ever satiating his hunger and thirst. He was condemned to the underworld to stand for eternity in a pool of water which receded when he bent to drink from it, beneath a fruit tree whose laden branches would lift beyond his grasp when he tried to reach for them. Like Tantalus, the old man in the ninth Capricho cannot satisfy his sensual desires; the woman is the unattainable water and fruit, the frustrated temptation, the death of desire (Blas Benito, J.: Portrait of Spain. Masterpieces from the Prado, Queensland Art Gallery-Art Exhibitions Australia, 2012, p. 213).

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Wash, Pencil, Pencil, Grey ink, Iron gall ink on laid paper, Mid-XIXcentury
Anonymous
Inventory number
G000660
Author
Goya y Lucientes, Francisco de
Title
Tantalo
Date
1797 - 1799
Technique
Etching; Burnished aquatint
Support
Laid paper
Dimension
Height: 306 mm; Width: 201 mm; Height of the plate mark: 205 mm; Width of the plate mark: 149 mm
Series
Caprichos [estampa], 9
Provenance
Donation by Tomas Harris, 1964

Bibliography +

Jacobs, H.C.; Klingenberger, M, Preyer, N, Los comentarios manuscritos sobre los Caprichos de Goya: edición, traducción , interpretación - III, Institución Fernando el Católico, Zaragoza, 2019.

Exhibitions +

Meta-painting. A Journey to the Idea of Art
15.11.2016 - 19.02.2017

Portrait of Spain. Masterpieces from the Prado
Houston TX
15.12.2012 - 31.03.2013

Portrait of Spain. Masterpieces from the Prado
Brisbane
22.07.2012 - 04.11.2012

Update date: 30-09-2022 | Registry created on 12-11-2016

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